Estrazione fatta il 03-05-2022 sul db: e3006
Estratti 925 record
CR | TIP | Paese | Pubbl | AU^710 | Titolo | fapartedi601 | AnnoPub | SBN | Presenti collocazioni |
---|---|---|---|---|---|---|---|---|---|
001690 | 200 | ST | ^aAnn Arbor^cUMI^d1986 | Fleming, Nancy | *Rossini's "Petite messe solennelle" | 1986 | NO | colloc | |
001790 | 200 | ST | ^aAnn Arbor^cUMI^d1983 | Daverio, John | *Formal design and terminology in the pre-Corellian "sonata" and related instrumental forms in the printed sources | 1983 | NO | colloc | |
005090 | 200 | ST | ^aAnn Arbor^cUMI^d1956 | Stillings, Frank | *Arcangelo Corelli | 1956 | NO | colloc | |
005985 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Ettelson, Trudy | *Jean-Jaques Rousseau's writings on music | 1975 | NO | colloc | |
006798 | 102 | ST | Arnim, Bettine von | *Music notebook (Heinemann ms 9B) | 0000 | NO | colloc | ||
007284 | 102 | ST | Wiseman, Nell | The *monodies of Sigismondo d'India | 0000 | NO | colloc | ||
008184 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Murphy, Richard | *Fantasia and ricercare in the sixteenth century | 1969 | NO | colloc | |
008190 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Braithwaite, James | *The introduction of Franco-netherlandish manuscripts to early Tudor England | 1967 | NO | colloc | |
008290 | 200 | ST | ^aAnn Arbor^cUMI^d1987 | Higgins, Paula | *Antoine Busnois and musical culture in late fifteenth century France and Burgundy | 1987 | NO | colloc | |
015090 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Davis, Richard Carroll | *Self parody among the cantatas of Johann Sebastian Bach | 1990 | NO | colloc | |
015190 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Estock, Joseph James | A *biographical dictionary of clarinetists born before 1800 | 1990 | NO | colloc | |
018484 | 102 | ST | ^aMilwaukee (Wisconsin)^cNorthwestern Publishing House^dc1980 | Lehmann, Arnold O. | *Lehmann's little dictionary of Liturgical terms | 1980 | NO | colloc | |
021284 | 102 | ST | ^aAnn Arbor^cUMI Research Press^dc1981 | Joyce, John J. | The *monodies of Sigismondo d'India | 1981 | NO | colloc | |
023391 | 102 | ST | ^aNew York^aLondon^cGarland^d1988 | Froberger, Johann Jakob | *Diverse ... Partite | 1988 | NO | colloc | |
023491 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Kerll, Johann Kaspar | *Modulatio organica super Magnificat octo ecclesiasticis tonis respondens | 1987 | NO | colloc | |
023591 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Poglietti, Alessandro | The " *Rossignolo" autograph | 1987 | NO | colloc | |
024091 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | *London, British Library, MS Add. 30491 | 1987 | NO | colloc | ||
024791 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | *Trent, Museo provinciale d'arte, Biblioteca musicale L. Feininger, n. s. | 1987 | NO | colloc | ||
024891 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | *Toccates & suittes pour le clavessin de messieurs Pasquini, Poglietti, & Gaspard Kerle | 1987 | NO | colloc | ||
025091 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | *London, British Library, Ms Add. 39569 | 1987 | NO | colloc | ||
025191 | 102 | ST | ^aNew York^aLondon^cGarland^d1988 | *Urbana, University of Illinois, Ms x786.4108/M319 | 1988 | NO | colloc | ||
025291 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | *Washington, D. C., Library of Congress, Ms M21.M185 case | 1987 | NO | colloc | ||
025391 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | *Lüneburg, Ratsbücherei, Mus. ant. pract. 1198 | 1987 | NO | colloc | ||
026091 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Colonna, Giovanni Paolo | La *caduta di Gierusalemme | 1986 | NO | colloc | |
026791 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Caldara, Antonio | *Joaz | 1986 | NO | colloc | |
026991 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Reutter, Georg | *Betulia liberata | 1986 | NO | colloc | |
027091 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Bencini, Pietro Paolo | Il *sacrificio di Abramo | 1986 | NO | colloc | |
027191 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Leo, Leonardo | La *morte di Abel | 1986 | NO | colloc | |
027291 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Feo, Francesco | *Oratorium pro defunctis | 1987 | NO | colloc | |
027391 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Jommelli, Nicolò | *Betulia liberata. La passione di nostro Signore Giesù Cristo | 1986 | NO | colloc | |
027591 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Porpora, Nicola | *Oratorio per la nascita di Gesù Cristo | 1986 | NO | colloc | |
027691 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Bonno, Giuseppe | *Isacco figura del Redentore | 1987 | NO | colloc | |
027891 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Myslivecek, Josef | La *Passione | 1987 | NO | colloc | |
027991 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Dittersdorf, Carl Ditters : von | *Esther | 1987 | NO | colloc | |
028091 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Bertoni, Ferdinando | *David poenitens | 1986 | NO | colloc | |
028191 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Gassmann, Florian Leopold | La *Betulia liberata | 1987 | NO | colloc | |
028491 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Anfossi, Pasquale | *Giuseppe riconosciuto | 1987 | NO | colloc | |
028591 | 102 | ST | ^aNew York^aLondon^cGarland^d1987 | Anfossi, Pasquale | *Betulia liberata | 1987 | NO | colloc | |
028791 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Carissimi, Giacomo <1605-1674> | *Cantatas | 1986 | NO | colloc | |
028891 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Pasqualini, Marc'Antonio | *Cantatas | 1985 | NO | colloc | |
028991 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Marazzoli, Marco | *Cantatas | 1986 | NO | colloc | |
029091 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Strozzi, Barbara <1619-1677> | *Cantatas | 1986 | NO | colloc | |
029191 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Cesti, Antonio | *Cantatas | 1986 | NO | colloc | |
029291 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Gasparini, Francesco | *Cantatas | 1986 | NO | colloc | |
029391 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Cazzati, Maurizio | *Cantatas | 1985 | NO | colloc | |
029491 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Stradella, Alessandro | *Cantatas | 1986 | NO | colloc | |
029591 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Bononcini, Giovanni | *Cantatas | 1985 | NO | colloc | |
029691 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Melani, Alessandro | *Cantatas | 1986 | NO | colloc | |
029791 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Savioni, Mario | *Cantatas | 1985 | NO | colloc | |
029891 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Scarlatti, Alessandro | *Cantatas | 1986 | NO | colloc | |
030091 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Steffani, Agostino | *Cantatas | 1985 | NO | colloc | |
030391 | 102 | ST | ^aNew York^aLondon^cGarland^d1984 | Cogan, Philip | *Complete works for piano solo | 1984 | NO | colloc | |
030491 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Cramer, Johann Baptist | *Pieces for pianoforte solo | 1985 | NO | colloc | |
030791 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Bennett, William Sterndale | *Works for pianoforte solo | 1985 | NO | colloc | |
030891 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Bennett, William Sterndale | *Works for pianoforte solo | 1985 | NO | colloc | |
031991 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Wolf, Ernst Wilhelm | Die *Dorfdeputierten | 1985 | NO | colloc | |
032091 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Schweitzer, Anton | *Alceste | 1986 | NO | colloc | |
032391 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | André, Johann Anton | *Belmont und Constanze | 1985 | NO | colloc | |
032491 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Reichardt, Johann Friedrich | Die *Geisterinsel | 1986 | NO | colloc | |
032591 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Vogler, Georg Joseph | Der *Kaufmann von Smyrna | 1986 | NO | colloc | |
032891 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Kunzen, Friedrich Ludwig Aemilius | Das *Fest der Winzer | 1986 | NO | colloc | |
032991 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Zumsteeg, Johann Rudolf | Die *Geisterinsel | 1986 | NO | colloc | |
033091 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Umlauf, Ignaz | Die *schöne Schusterinn, oder, Die pücefarbnen Schuhe | 1986 | NO | colloc | |
033191 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Salieri, Antonio | Der *Rauchfangkehrer | 1986 | NO | colloc | |
033291 | 102 | ST | ^aNew York^aLondon^cGarland^d1986 | Dittersdorf, Carl Ditters : von | Die *Liebe im Narrenhaus | 1986 | NO | colloc | |
033891 | 102 | ST | ^aNew York^cGarland^d1986 | Keiser, Reinhard | *Adonis | 1986 | NO | colloc | |
033991 | 102 | ST | ^aNew York^cGarland^d1986 | Keiser, Reinhard | La *forza della virtù [, oder, Die Macht der Tugend] | 1986 | NO | colloc | |
034091 | 102 | ST | ^aNew York^cGarland^d1986 | Keiser, Reinhard | *Claudius | 1986 | NO | colloc | |
034391 | 102 | ST | ^aNew York^cGarland^d1986 | Scarlatti, Alessandro | Il *Pompeo | 1986 | NO | colloc | |
034490 | 102 | ST | ^aCambridge (Massachusetts) [etc.]^cCambridge University Press^d1989 | Kelly, Thomas Forrest | The *Beneventan chant | 1989 | NO | colloc | |
034491 | 102 | ST | ^aNew York^cGarland^d1986 | Scarlatti, Alessandro <1660-1725> | *Dafni | 1986 | NO | colloc | |
034591 | 102 | ST | ^aNew York^cGarland^d1986 | Bononcini, Giovanni | Il *Xerse | 1986 | NO | colloc | |
034898 | 102 | ST | ^aAnn Arbor^cUMI^dstampa 1998 | Vasquez, Roland | The *quest for national opera in Spain and the re-invention of the zarzuela | 1998 | NO | colloc | |
037290 | 102 | ST | ^aEnglewood (Col.)^cLibraries Unlimited, Inc.^d1989 | Smiraglia, Richard P. | *Music cataloging | 1989 | NO | colloc | |
038698 | 102 | ST | ^aChicago^aLondon^cThe University of Chicago press^dc1985 | *Textual criticism and literary interpretation | 1985 | NO | colloc | ||
038798 | 102 | ST | ^aPrinceton^cPrinceton University Press^dc1991 | McGann, Jerome J. | The *textual condition | 1991 | NO | colloc | |
039191 | 102 | ST | ^aNew York^cSchirmer Books^dc1990 | Wilson, David Fenwick | *Music of the Middle Ages | 1990 | NO | colloc | |
040290 | 102 | ST | ^aNew York^aLondon^cGarland^d1985 | Farkas, Andrew | *Opera and concert singers | 1985 | NO | colloc | |
040691 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Borg, Paul William | The *poliphonic music in the Guatemalan music manuscripts of the Lilly Library | 1993 | NO | colloc | |
040791 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Tischler, Hans | The *motet in thirteenth century France | 1993 | NO | colloc | |
040891 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Larkowski, Charles Stephen | The *De musica mensurabili positio of Johannes de Garlandia | 1993 | NO | colloc | |
040898 | 102 | ST | ^aBloomington^aIndianapolis^cIndiana University Press^dc1995 | Green, Robert | The *hurdy-gurdy in eighteenth-century France | 1995 | NO | colloc | |
041091 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Moore, Carolyn Paulette | The *Marian carols of Trinity Roll 0.3.58 and Ritson MS. 5665 | 1993 | NO | colloc | |
041291 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Bagnall, Anne D. | *Musical practices in medieval English nunneries | 1993 | NO | colloc | |
041391 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Evans, Beverly Jean | The *unity of text and music in the late thirteenth-century French motet | 1993 | NO | colloc | |
041491 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Kottick, Edward Leon | The *music of the Chansonnier cordiforme, Paris, Bibliothèque nationale, Rothschild 2973 | 1993 | NO | colloc | |
041591 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Keahey, Thomas Herman | The *masses of Johannes Prioris | 1993 | NO | colloc | |
041691 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Erwin, Stuart Mark | The *motets of the LoD manuscript, British Museum Add. 27630 | 1993 | NO | colloc | |
042591 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Kennedy, Thomas Frank | *Jesuits and music | 1993 | NO | colloc | |
042791 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Tanay, Dorit Esther | *Music in the age of Ockham | 1993 | NO | colloc | |
042891 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Katz, Daniel Seth | The *earliest sources for the "Libellus cantus mensurabilis secundum Johannem de Muris" | 1993 | NO | colloc | |
042991 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Spilsted, Gary Richard | The *paleography and musical repertory of codex Tridentinus 93 | 1993 | NO | colloc | |
043091 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Feiszli, James David | *Performance editions from Heinrich Isaac's Choralis Constantinus | 1993 | NO | colloc | |
043190 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Schreur, Philip Evan | The *Tractatus figurarum | 1990 | NO | colloc | |
043191 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Grossi, Henry John | The *fourteenth century Florentine Laudario Magliabechiano 11, 1, 122 (B. R. 18) | 1993 | NO | colloc | |
043290 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Newes, Virginia Ervin | *Fuga and related contrapuntal procedures in European polyphony ca. 1350 - ca. 1420 | 1990 | NO | colloc | |
043291 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Rotola, Albert C. | *Gaspar Stoquerus, "De musica verbali" | 1993 | NO | colloc | |
043391 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Rifkin, Louise Litterick | The *manuscript Royal 20.A.XVI of the British Library | 1993 | NO | colloc | |
043490 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Maddox, Richard Peter | *Terminology in the early medieval music tratises (ca. 400-1100 A. D.) | 1990 | NO | colloc | |
043491 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Yates, Wilbur C. Hadley | A *history of the cadence in polyphonic vocal music through the fifteenth century | 1993 | NO | colloc | |
043690 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Bullard, Beth Alice Baehr | *Musical instruments in the early sixteenth century | 1990 | NO | colloc | |
043691 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Earp, Lawrence Marshburn | *Scribal practice, manuscript production and the transmission of music in late medieval France | 1993 | NO | colloc | |
043790 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Higgins, Paula Marie | *Antoine Busnois and musical culture in late fifteenth-century France and Burgundy | 1990 | NO | colloc | |
043791 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Browne, Alma Colk | *Medieval letter notations | 1982 | NO | colloc | |
043890 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Underwood, Kent David | The *Renaissance lute in solo song and chamber ensemble | 1990 | NO | colloc | |
043891 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Urquhart, Peter Whitney | *Canon, partial signatures, and "musica ficta" in works by Josquin DesPrez and his contemporaries | 1993 | NO | colloc | |
043991 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Lindsey, Mack Clay | *Klosterneuburg, Chorherrenstift, codices 69 and 70 | 1993 | NO | colloc | |
044091 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Wingell, Richard Joseph | *Anonymous XI (CS III) | 1993 | NO | colloc | |
044191 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Gruber, Albion | *Evolving tonal theory in seventeenth-century France | 1993 | NO | colloc | |
044291 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Holladay, Richard Le | The *Musica enchiriadis and Scholia enchiriadis | 1993 | NO | colloc | |
044391 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Rogers, Michael Richard | The *golden section in musical time | 1993 | NO | colloc | |
044491 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Leverett, Adelyn Peck | A *paleographical and repertorial study of the manuscript Trento, Castello del Buonconsiglio, 91 (1378) | 1993 | NO | colloc | |
044591 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | McMurtry, William Murl | The *British Museum manuscript Additional 35087 | 1993 | NO | colloc | |
044691 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Gore, Glenn Leon | The *works of Philippe Basiron (Philippon?) | 1993 | NO | colloc | |
044791 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Hehrer, Karen Fox | A *history of the virelai from its origin to the mid-fifteenth century | 1993 | NO | colloc | |
044891 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Curtis, Rhian Samuel | *Modality, tonality and "Musica ficta" in the sixteenth-century chanson | 1993 | NO | colloc | |
045391 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Mattfeld, Jacquelyn Anderson | *Cantus firmus in the liturgical motets of Josquin des Prez | 1993 | NO | colloc | |
045491 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Kirby, Frank Eugene | *Hermann Finck's Practica musica | 1993 | NO | colloc | |
045590 | 102 | ST | ^aNew York^aLondon^cGarland^d1988 | Picker, Martin | *Johannes Ockeghem and Jacob Obrecht | 1988 | NO | colloc | |
045698 | 102 | ST | ^aBerkeley^cUniversity of California Press^dc1993 | *Musicology and difference | 1993 | NO | colloc | ||
045784 | 102 | ST | ^aRutherford^cFairleigh Dickinson university press^aLondon^cAssocieted university presses^dc1978 | Stevens, Denis William | *Monteverdi | 1978 | NO | colloc | |
046090 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Kennedy, Duff James | *Six chansonniers Français | 1987 | NO | colloc | |
046491 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Evans, Paul Richter | The *early trope repertory of Saint-Martial de Limoges | 1993 | NO | colloc | |
046591 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Utterback, William Walker | A *study of five religious Christmas carols from "The Oxford book of carols" | 1993 | NO | colloc | |
046691 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Erickson, Raymond Frederick Paul | *Rhythmic problems and melodic structure in organum purum | 1993 | NO | colloc | |
046791 | 102 | ST | ^aAnn Arbor^cUMI^d1993 | Brooks, Catherine Virginia | *Antoine Busnois as a composer of chansons | 1993 | NO | colloc | |
047091 | 102 | ST | ^aHenryville^aOttawa (Canada)^aBinningen^cInstitute of Mediaeval Music^dc1981 | Falck, Robert | The *Notre Dame conductus | 1981 | NO | colloc | |
047391 | 102 | ST | ^aSouth Brunswick^aNew York^cBarnes^dc1978 | Ord-Hume, Arthur W. J. G. | *Barrel organ | 1978 | NO | colloc | |
050591 | 102 | ST | ^aHenryville^aOttawa (Canada)^aBinningen^cThe Institute of Mediaeval Music^dc1982 | Gillingham, Bryan | The *polyphonic sequences in Codex Wolfenbuettel 677 | 1982 | NO | colloc | |
051890 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^dc1988 | Lincoln, Harry B. | The *Italian madrigal and related repertories | 1988 | NO | colloc | |
057390 | 200 | ST | ^aAnn Arbor^cUMI^d1962 | Brown, Samuel | *The motets of Ciconia, Dunstable, and Dufay | 1962 | NO | colloc | |
057490 | 200 | ST | ^aAnn Arbor^cUMI^d1963 | Boucher, Joan | *The religious music of Gilles Binchoise | 1963 | NO | colloc | |
057590 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Hollaway, William | *Martin Agricola's "Musica instrumentalis deudsch" | 1972 | NO | colloc | |
057690 | 200 | ST | ^aAnn Arbor^cUMI^d1986 | Ongaro, Giulio | *The chapel of St. Mark's at the time of Adrian Willaert (1527-1562) | 1986 | NO | colloc | |
057890 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Starr, Pamela F. | *Music and music patronage at the papal court, 1447-1464 | 1988 | NO | colloc | |
058690 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Moyer, Ann Elizabeth | *Musica scientia | 1990 | NO | colloc | |
058790 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Fox, Leland Stanford | A *classic style in French opera (1750-1825) | 1990 | NO | colloc | |
058990 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Selden, Margery Juliet Stomme | The *French operas of Luigi Cherubini | 1990 | NO | colloc | |
059498 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^dc1997 | Lang, Paul | *Musicology and performance | 1997 | NO | colloc | |
060190 | 102 | ST | ^aWoodstock, New York^cThe Overlook Press^dc1979 | Montagu, Jeremy | The *world of Baroque & Classical musical instruments | 1979 | NO | colloc | |
060290 | 102 | ST | ^aWoodstock, New York^cThe Overlook Press^dc1981 | Montagu, Jeremy | The *world of Romantic & Modern musical instruments | 1981 | NO | colloc | |
061390 | 102 | ST | ^aSecausus (New Jersey)^cChartwell^dc1979 | The *book of music | 1979 | NO | colloc | ||
061490 | 102 | ST | ^aSecausus (New Jersey)^cChartwell^d1981 | Hurd, Michael | The *orchestra | 1981 | NO | colloc | |
062684 | 102 | ST | ^aChicago^cThe university of Chicago library^d198? | Torrance, Catherine | The *names of the warriors in Vergil's Aeneid VII-XII | NO | colloc | ||
064198 | 102 | ST | ^aCommerce (CA)^cSunny Knoll^dc1997 | Urlik, Sheldon | A *collection of fine Spanish guitars from Torres to the present | 1997 | NO | colloc | |
064398 | 102 | ST | ^aMarina del Rey (CA)^cThe Getty Conservation Institute^d1992 | The *conservation and technology of musical instruments | 1992 | NO | colloc | ||
064598 | 102 | ST | ^aNew York^aOxford^cOxford University Press^d1998 | Caplin, William | *Classical form | 1998 | NO | colloc | |
065498 | 102 | ST | ^aCharlottesville^aLondon^cUniversity Press of Virginia^dc1991 | *Devils and angels | 1991 | NO | colloc | ||
067390 | 102 | ST | ^aPrinceton^cPrinceton university press^d1989 | Neumann, Frederick | *Ornamentation and improvisation in Mozart | 1989 | NO | colloc | |
073490 | 102 | ST | ^aCambridge, Massachusetts^cHarvard University^d1958 | Davenport Downes, Edward Olin | The *operas of Johann Christian Bach as a reflection of the dominant trends in Opera Seria 1750-1780 | 1958 | NO | colloc | |
074984 | 200 | ST | ^aAnn Arbor^cUMI^d1981 | Long, Michael | *Musical tastes in fourteenth-century Italy | 1981 | NO | colloc | |
077890 | 200 | ST | ^aAnn Arbour^cUMI^dc1974 | Powley, Edward Harrison | Il *trionfo di Dori | 1974 | NO | colloc | |
078898 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^dc1989 | Parks, Richard | The *music of Claude Debussy | 1989 | NO | colloc | |
079290 | 200 | ST | ^aAnn Arbour^cUMI^dc1979 | Phillips, Leonard Milton | The *Leipzig Conservatory | 1979 | NO | colloc | |
081490 | 102 | ST | ^aAnn Arbor^cUMI^d1990 | Hansell, Sven Hostrup | The *solo cantatas, motets, and antiphons of Johann Adolf Hasse | 1990 | NO | NON colloc | |
081498 | 102 | ST | ^aAnn Arbor^cUMI^dstampa 1999 | Dean, Jeffrey | The *scribes of the Sistine Chapel | 1999 | NO | colloc | |
083584 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Jordhal, Robert | A *study of the use of the chorale in the works of Mendelssohn, Brahms and Reger | 1966 | NO | colloc | |
090184 | 102 | ST | ^aAnn Arbor^cUMI^d1985 | Newcomb, Anthony Addison | The *musica secreta of Ferrara in the 1580's | 1985 | NO | colloc | |
092790 | 102 | ST | ^aNew Haven^aLondon^cYale university press^dc1986 | Baker, James M. | The *music of Alexander Scriabin | 1986 | NO | colloc | |
092990 | 200 | ST | ^aAnn Arbour^cUMI^dc1989 | Parisi, Susan Helen | *Ducal patronage of music in Mantua, 1587-1627 | 1989 | NO | colloc | |
095490 | 200 | ST | ^aAnn Arbour^cUMI^dc1973 | Kurtzman, Jeffrey Gordon | The *Monteverdi Vespers of 1610 and their relationship with Italian sacred music of the early seventeenth century | 1973 | NO | colloc | |
100584 | 200 | ST | ^aAnn Arbor^cUMI^d1950 | Miller, Clement | The *"Dodecachordon" of Heinrich Glarean | 1950 | NO | colloc | |
10081 | 102 | ST | ^aNew York^cNorton & Company^dc1947 | Bukofzer, Manfred F. | *Music in the Baroque era | 1947 | NO | colloc | |
10082 | 102 | ST | ^aNew York^cNorton & Company^dc1947 | Einstein, Alfred <1880-1952> | *Music in the Romantic era | 1947 | NO | colloc | |
100884 | 200 | ST | ^aAnn Arbor^cUMI^d1955 | McClintock, CArol | The *five-part madrigals of Giaches de wert | 1955 | NO | colloc | |
100984 | 200 | ST | ^aAnn Arbor^cUMI^d1955 | Johnson, Mildred | The *motets of the Codex Ivrea | 1955 | NO | colloc | |
101184 | 200 | ST | ^aAnn Arbor^cUMI^d1955 | Naegele, Philipp | *August Wilhelm Ambros | 1955 | NO | colloc | |
101284 | 200 | ST | ^aAnn Arbor^cUMI^d1957 | Kabis, Mary | The *works of Jean Richafort, renaissance composer (1480?-c.1584) | 1957 | NO | colloc | |
101384 | 200 | ST | ^aAnn Arbor^cUMI^d[1954] | Thurston, Ethel | The *conductus compositions in manuscript Wolfenbuttel 1206 | 1954 | NO | colloc | |
101584 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Farr, David | *Claudio Monteverdi 's Vespro della Beata Vergine (1610) | 1966 | NO | colloc | |
101684 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Myers, Patricia | "Il *settimo libro de madrigali a cinque voci" by Luca Marenzio | 1967 | NO | colloc | |
101784 | 200 | ST | ^aAnn Arbor^cUMI^d[1969] | Schulz, Judith | *Peregrinus | 1969 | NO | colloc | |
101884 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Benson, Sarah | *Giovanni Bassano's Motetti, madrigali et canzoni francese ... (Venice, 1591) | 1969 | NO | colloc | |
101984 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Simmons, Harold | *Philippe De Monte | 1972 | NO | colloc | |
102084 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Walsh, Patricia | *Romantic elements in the music of Palestrina and Victoria | 1979 | NO | colloc | |
102284 | 200 | ST | ^aAnn Arbor^cUMI^d1958 | Luce, Harold | The *Requiem mass from its plainsong beginnings to 1600 | 1958 | NO | colloc | |
102384 | 200 | ST | ^aAnn Arbor^cUMI^d1958 | McKee, William | The *music of Florentio Maschera (1540-1584) | 1958 | NO | colloc | |
102484 | 200 | ST | ^aAnn Arbor^cUMI^d1959 | Klenz, William | *Giovanni Maria Bononcini | 1959 | NO | colloc | |
102584 | 200 | ST | ^aAnn Arbor^cUMI^d1959 | Michael, George | The *parody mass technique of Philippe De Monte | 1959 | NO | colloc | |
102684 | 200 | ST | ^aAnn Arbor^cUMI^d1959 | Flindell, Edwin | The *achievements of the Notre-Dame School | 1959 | NO | colloc | |
102784 | 200 | ST | ^aAnn Arbor^cUMI^d1959 | Chiuminatto, Anthony | The *liturgical works of Baldassarre Galuppi | 1959 | NO | colloc | |
102884 | 200 | ST | ^aAnn Arbor^cUMI^d1959 | Feese, Gerald | The *polyphonic ballades in the manuscript Torino, Biblioteca Nazionale, J.II.9 | 1959 | NO | colloc | |
103084 | 200 | ST | ^aAnn Arbor^cUMI^d1959 | Sites, Caroline | *Benedetto Marcello's chamber cantatas | 1959 | NO | colloc | |
103184 | 200 | ST | ^aAnn Arbor^cUMI^d1960 | Lovell, John | The *masses of Josquin des Prez | 1960 | NO | colloc | |
103284 | 200 | ST | ^aAnn Arbor^cUMI^d1960 | Hamm, Charles | A *chronology of the works of Guillaume Dufay based on a study of mensural pratice | 1960 | NO | colloc | |
103384 | 200 | ST | ^aAnn Arbor^cUMI^d1960 | Lockwood, Lewis | The *counter-reformation and the sacred music of Vincenzo Ruffo | 1960 | NO | colloc | |
103484 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Nowacki, Edward | *Studies on the office antiphons of the old Roman manuscripts | 1980 | NO | colloc | |
103584 | 200 | ST | ^aAnn Arbor^cUMI^d1960 | Crane, Frederik | A *study of theoretical writings on musical form to ca. 1460 | 1960 | NO | colloc | |
103884 | 200 | ST | ^aAnn Arbor^cUMI^d1961 | Holman, Hans-Jurgen | The *Responsoria Prolixa of the Codex Worcester F 160 | 1961 | NO | colloc | |
103984 | 200 | ST | ^aAnn Arbor^cUMI^d1961 | Homan, Frederic | *Cadence in Gregorian chant | 1961 | NO | colloc | |
104084 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Corrigan, Vincent | The *style of Notre-Dame conductus | 1980 | NO | colloc | |
104284 | 200 | ST | ^aAnn Arbor^cUMI^d1962 | Siebert, Frederick | *Fifteenth-century organ settings of the "ordinarium missae" | 1962 | NO | colloc | |
104684 | 200 | ST | ^aAnn Arbor^cUMI^d1962 | Holthaus, Mary | *Beneventan notation in the Vatican manuscripts | 1962 | NO | colloc | |
104984 | 200 | ST | ^aAnn Arbor^cUMI^d1963 | Schuler, Richard | The *life and liturgical works of Giovanni Maria Nanino (1545-1607) | 1963 | NO | colloc | |
105084 | 200 | ST | ^aAnn Arbor^cUMI^d1964 | Nuernberger, Louis | The *five voice madrigals of Cipriano de Rore | 1964 | NO | colloc | |
105184 | 200 | ST | ^aAnn Arbor^cUMI^d1964 | Henry, Oscar | The *doctrine of affection in selected solo cantatas of Alessandro Scarlatti | 1964 | NO | colloc | |
105284 | 200 | ST | ^aAnn Arbor^cUMI^d1964 | Craw, Howard | A *biography and thematic catalogue of the works of J.L. Dussek (1760-1812) | 1964 | NO | colloc | |
105384 | 200 | ST | ^aAnn Arbor^cUMI^d[ca. 1964] | Williams, Sarah | The *music of Guillaume de Machaut | 1964 | NO | colloc | |
105484 | 200 | ST | ^aAnn Arbor^cUMI^d1964 | Eisley, Irving | The *secular cantatas of Mario Savioni (1608-1685) | 1964 | NO | colloc | |
105584 | 200 | ST | ^aAnn Arbor^cUMI^d1965 | Hayburn, Robert | *Pope Saint Pius X and the Vatican Edition of the Chant Books | 1965 | NO | colloc | |
105784 | 200 | ST | ^aAnn Arbor^cUMI^d1964 | Bergquist, Ed | The *theoretical writings of Pietro Aaron | 1964 | NO | colloc | |
105884 | 200 | ST | ^aAnn Arbor^cUMI^d1965 | Hammond, Frederick | The *Summa de speculatione musicae of Walter Odington | 1965 | NO | colloc | |
106084 | 200 | ST | ^aAnn Arbor^cUMI^d1965 | Crain, Gordon | The *operas of Bernardo Pasquini | 1965 | NO | colloc | |
106384 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Parris, Arthur | *[The sacred works of Gilles Binchois | 1966 | NO | colloc | |
106484 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Clark, Willence | The *vocal music of Biagio Marini (c. 1598-1665) | 1966 | NO | colloc | |
106584 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Roberts, Kenneth | The *music of Ludwig Senfl | 1982 | NO | colloc | |
106684 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Russel, Carlton | The *southern French tonary in the tenth and eleventh centuries | 1966 | NO | colloc | |
106784 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | MacMillan, John | The *calvinistic Psalmody of Claude le Jeune with special reference to the Dodecacorde of 1598 | 1967 | NO | colloc | |
106984 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Smith, Norman | The *Clausolae of Notre Dame School | 1967 | NO | colloc | |
107184 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Treitler, Leo | The *Aquitanian repertories of sacred monody in the eleventh and twelfth centuries | 1967 | NO | colloc | |
107284 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Herzo, Anthony | *Five Aquitan graduals | 1967 | NO | colloc | |
107484 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Crocker, Richard L. | The *repertoire of proses at Saint-Martial de Limoges (tenth and eleventh centuries) | 1968 | NO | colloc | |
107584 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Josephson, Nors S. | The *Missa de Beata Vergine of the sixteenth century | 1971 | NO | colloc | |
107684 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Gaines, Charles | *Georg Rhau's Tricinia (1542) | 1971 | NO | colloc | |
107784 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Gehrenbeck, David | *Motetti de la corona | 1971 | NO | colloc | |
107884 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Thomas, Elmer | *Two Petrucci prints of polyphonic lamentationes, 1506 | 1971 | NO | colloc | |
108184 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Dyer, Joseph | The *offertories of Old-Roman chant | 1971 | NO | colloc | |
108284 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Hobbs, Wayne | *Giovanni Francesco Anerio's Teatro armonico spirituale di madrigali | 1971 | NO | colloc | |
108484 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Raney, Carolyn | *Francesca Caccini musician to the Medici and her primo Libro (1618) | 1971 | NO | colloc | |
108584 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Reinhardt, Miriam | An *analysis of the melodic characteristic of Gregorian chant antiphons | 1971 | NO | colloc | |
108684 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Long, Joan | The *motets, psalm and hymns of Adriano Willaert | 1972 | NO | colloc | |
108784 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Roesner, Edward | The *manuscript Wolfenbuttel, Herzog August-Bibliothek, 628 Helmstadiensis | 1974 | NO | colloc | |
108884 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Thierstein, Eldred | *Antonio Maria Gaspero Sacchini and his french operas | 1974 | NO | colloc | |
108984 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Grace, Michael | *Marco Marazzoli and the developement of the Latin oratorio | 1975 | NO | colloc | |
109084 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Kanazawa, Masakata | *Polyphonic music for vespers in the fifteenth century | 1975 | NO | colloc | |
109284 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Franklin, Harriet | *Musical activity in Ferrara | 1977 | NO | colloc | |
109384 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Inkeles, MaryAnn | A *study, realization and performance of unpublished cantatas for soprano and basso continuo ca. 1690-1706 of Alessandro Scarlatti | 1977 | NO | colloc | |
109484 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Ligget Mc Guinness, Margaret | A *biography of Niccolò Piccinni and a critical study of his "La Didone" and "Didon" | 1977 | NO | colloc | |
109584 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Mahone, Mary | *Latin liturgical drama and the ludus peregrinus | 1977 | NO | colloc | |
109684 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Grossmann, Margaret | *G.B. Doni and theatrical music | 1977 | NO | colloc | |
109784 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Westlund, Paul | An *edition and analysis of three masses by Tarquinio Merula | 1977 | NO | colloc | |
109884 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | DeFord, Ruth I. | *Ruggiero Giovannelli and the madrigal in Rome, 1572-1599 | 1978 | NO | colloc | |
109984 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | Cook, James | *Manuscript transmission of thirteenth-century motets | 1978 | NO | colloc | |
110084 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | Rahn, Douglas Jay | *Melodic and textual types in French monophonic song ca. 1500 | 1978 | NO | colloc | |
110190 | 200 | ST | ^aAnn Arbour^cUMI^dc1979 | Miller, Robert W. | A *style analysis of the published solo piano music of Luciano Berio | 1979 | NO | colloc | |
110290 | 200 | ST | ^aAnn Arbour^cUMI^dc1976 | Sams, Carol Lee | *Solo vocal writing in selected works of Berio, Crumb, and Rochberg | 1976 | NO | colloc | |
110390 | 200 | ST | ^aAnn Arbour^cUMI^dc1981 | Holmes, Reed Kelley | *Relational systems and process in recent works of Luciano Berio | 1981 | NO | colloc | |
110890 | 102 | ST | ^aChicago^cUniversity of Chicago^d1992 | Herlinger, Jan William | The *Lucidarium of Marchetto of Padua | 1992 | NO | colloc | |
113684 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Chaikin, Kathleen | The *solo soprano cantatas of Alessandro Stradella | 1976 | NO | colloc | |
113784 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Crawford, David | *Vespers polyphony at Modena's Cathedral in the first half of the sixteenth century | 1968 | NO | colloc | |
113984 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Newton, Paul | *Florence, Biblioteca del Conservatorio di musica Luigi Cherubini, manuscript Basevi 2439 | 1968 | NO | colloc | |
114084 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Isgro, Roberto | The *first and second practices of Monteverdi | 1968 | NO | colloc | |
114184 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Stalnaker, William | The *beginning of opera in Naples | 1969 | NO | colloc | |
114284 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Singer, Gerhard | *Lodovico Zacconi's treatment of the suitability and classification of all musical instruments in the "Prattica di musica" of 1592 | 1969 | NO | colloc | |
114584 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Suess, John | *Giovanni Battista Vitali and the "Sonata da chiesa" | 1969 | NO | colloc | |
114684 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Preston, Alan | *Sacred polyphony in Renaissance Verona | 1970 | NO | colloc | |
114784 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Mahrt, William | The *Missae ad Organum of Heinrich Isaac | 1970 | NO | colloc | |
115084 | 200 | ST | ^aAnn Arbor^cUMI^d[1970] | Warburton, Thomas | *Fridolin Sicher's tablature | 1970 | NO | colloc | |
115184 | 200 | ST | ^aAnn Arbor^cUMI^d[1970] | Ward, Tom | The *polyphonic hymn from the late fourteenth century until the early sixteenth century | 1970 | NO | colloc | |
115384 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Cutter, Paul | The *Old-Roman responsories of mode 2 | 1970 | NO | colloc | |
115484 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Libby, Dennis | *Gaspare Spontini and his french and german operas | 1970 | NO | colloc | |
115584 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Read, Tamar | A *critical study and performance edition of Emilio de Cavalieri's "Rappresentatione d'anima e di corpo" | 1970 | NO | colloc | |
115684 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Ellsworth, Oliver | The *Berkeley Manuscript (olim Phillipps 4450) | 1970 | NO | colloc | |
115784 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Fuller, Sarah | *Aquitanian polyphony of the eleventh and twelfth centuries | 1970 | NO | colloc | |
115884 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Henderson, Robert | *Solmization syllabes in musical theory, 1100 to 1600 | 1970 | NO | colloc | |
115984 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Weiss, Piero | *Carlo Goldoni, librettist | 1970 | NO | colloc | |
116084 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Falck, Robert | The *structure of the polyphonic and monophonic conductus repertories | 1970 | NO | colloc | |
116384 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Day, Thomas | *Palestrina in history | 1971 | NO | colloc | |
116484 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Shindle, William | The *madrigals of Giovanni De Macque | 1971 | NO | colloc | |
116684 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Hasselmann, Margaret | The *French chanson in the fourteenth-century | 1971 | NO | colloc | |
116884 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Igoe, James | *Performances practices in the polyphonic mass of the early fifteenth century | 1972 | NO | colloc | |
116984 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | McCrickard, Eleanor | *Alessandro Stradella's instrumental music | 1972 | NO | colloc | |
117084 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Myers, Patricia | An *analytical study of the Italian cyclic madrigals published by composers working in Rome ca. 1540-1614 | 1972 | NO | colloc | |
117384 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Crabtree, Phillip | The *vocal works of gioseffo (ca. 1540-1611) and Francesco Guami (ca. 1544-1602) | 1972 | NO | colloc | |
117484 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Leeds, Frederich | *Diderot | 1972 | NO | colloc | |
117584 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Ledbetter, Steven | *Luca Marenzio | 1972 | NO | colloc | |
117784 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Jones, George | The *"first" chansonnier of the Biblioteca Riccardiana, codex 2794 | 1972 | NO | colloc | |
117884 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Hernon, Michael | *Perugia ms. 431 (G.20) | 1972 | NO | colloc | |
117984 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Magliocco, Hugo | The *Ricercari a tre of Pietro Vinci and Antonio il Verso | 1973 | NO | colloc | |
118084 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Nagle, Mary | The *structural role of the cantus firmus in the motets of Jacob Obrecht | 1973 | NO | colloc | |
118284 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Lazarevich, Gordana | The *role of the neapolitan intermezzi in the evolution of eighteenth-century musical style | 1973 | NO | colloc | |
118298 | 102 | ST | ^aNew York^cSchirmer^aLondon [etc.]^cPrentice Hall^dc1995 | *Keyboard music before 1700 | 1995 | NO | colloc | ||
118384 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Deusen, Nancy : van | An *historical and stylistic comparison of the Graduals of Gregorian and old Roman chant | 1973 | NO | colloc | |
118484 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Pitman, Grover | The *Lenten Offertories of the Aquitanian manuscripts | 1973 | NO | colloc | |
118584 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Drake, George | The *first printed books of motets, Petrucci's "Motetti A numero trentatrè" (Venice, 1502) and "Motetti de Passione ... B" (Venice, 1503) | 1973 | NO | colloc | |
118684 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Main, Alexander | *Costanzo Festa | 1973 | NO | colloc | |
118784 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Lecoat, Gerard | *Music and rhetoric of the arts during the age of Monteverdi | 1973 | NO | colloc | |
118884 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | McGary, Thomas | *Codex Escorial ms. V, III, 24 | 1973 | NO | colloc | |
118984 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Sumner, Floyd | The *instrumental "canzone" prior to 1600 | 1973 | NO | colloc | |
119084 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Ellison, Mary | The *Comparaison de la musique italienne et de la musique françoise of Lecerf de la Vieville | 1974 | NO | colloc | |
119184 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Dewitt, Patricia | A *new perspective on Johannes de Grocheo's Ars musicae | 1974 | NO | colloc | |
119284 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Herman, Robert | *Dialogo della musica antica et della moderna of Vincenzo Galilei | 1974 | NO | colloc | |
119384 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Berendes, Benedicta | The *versus and its use in the medieval Roman liturgy | 1974 | NO | colloc | |
119484 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Hanley, Edwin | *Alessandro Scarlatti 's Cantate da camera | 1974 | NO | colloc | |
119584 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Norman, David | A *critical study and performance edition of Giovanni Croce's "Musica Sacra" | 1974 | NO | colloc | |
119684 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Hunt, Leland | The *life and keyboard works of Giovanni Paisiello, (1740-1816) | 1974 | NO | colloc | |
119784 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Stegall, Richard | The *Tours Easter play | 1974 | NO | colloc | |
119884 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Churgin, Bathia | The *symphonies of G. B. Sammartini | 1974 | NO | colloc | |
119984 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Nicholas, Martha | *Miracle plays of Saint Nicholas from the fleury play-book | 1979 | NO | colloc | |
120084 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Ladewig, James | *Frescobaldi's "Recercari et canzoni franzese" (1615) | 1979 | NO | colloc | |
120184 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Cunningham, David | *Music notation in Netherlandisch painting of the fifteenth and sixteenth centuries | 1979 | NO | colloc | |
120284 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Owens, Jessie | An *illuminated manuscript of motets by Cipriano de Rore (Munchen, Bayerische Staatsbibliothek, Mus.ms.B) | 1979 | NO | colloc | |
120384 | 200 | ST | ^aAnn Arbor^cUMI^d[1979] | Wilkinson, Christopher | The *sacred music of Tarquinio Merula | 1979 | NO | colloc | |
120484 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Nutter, David | The *Italian polyphonic dialogue of the sixteenth-century | 1979 | NO | colloc | |
120584 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Hutson, Larry | A *critical edition and performance guide to the "Magnificat a 7" of Claudio Monteverdi | 1979 | NO | colloc | |
120684 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Norwood, Patricia | A *study of the provenance and french motets in Bamberg, Staatsbibliothek, Lit. 115 | 1979 | NO | colloc | |
120784 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Fleming, Keith | The *editing of some Communion melodies in medieval chant manuscripts | 1979 | NO | colloc | |
120884 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Glixon, Jonathan E. | *Music at the Venetian "Scuole Grandi", 1440-1540 | 1979 | NO | colloc | |
120984 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Fowler, Maria | *Musical interpolations in thirteenth- and fourteenth-century French narratives | 1979 | NO | colloc | |
121084 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Rutschman, Carl | *Magnificats in the Trent codices | 1979 | NO | colloc | |
121184 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Howlett, Derq | A *translation of three treatise by Martin Agricola "Musica choralis deudsch", "Musica figuralis deudsch" and "Von der proportionibus" | 1980 | NO | colloc | |
121284 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Cummings, Anthony | A *Florentine sacred repertory from the Medici restoration (Manuscript II.I.232 of the Biblioteca Nazionale Centrale, Firenze) | 1980 | NO | colloc | |
121384 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Pajersky, Fred | *Marco Uccellini (1610-1680) and his music | 1980 | NO | colloc | |
121484 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Kiel, Dyke | The *madrigale of Claudio Merulo | 1980 | NO | colloc | |
121584 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Tomlinson, Gary | *Rinuccini, Peri, Monteverdi and the humanist heritage of opera | 1980 | NO | colloc | |
121684 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Jeffery, Peter | *The autograph manuscripts of Francesco Cavalli | 1980 | NO | colloc | |
121884 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Jorgensen, James | *Metastasio | 1980 | NO | colloc | |
122084 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Reynolds, Christopher | The *music chapel at San Pietro in Vaticano in the later fifteenth century | 1982 | NO | colloc | |
122284 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Reier, Ellen | The *introit trope repertory at Nevers | 1982 | NO | colloc | |
122384 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Voogt, Ronald | *Repetition and structure in the three and four part conductus of Notre Dame School | 1982 | NO | colloc | |
122484 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Baker, Helen | The *oratorios of Benedetto Marcello (1686-1739) as a reflection of his musical thought and milieu | 1982 | NO | colloc | |
122584 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Detels, Claire | *Giuseppe Verdi's "Simon Boccanegra" | 1982 | NO | colloc | |
122684 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Yudkin, Jeremy | *Notre Dame theory | 1982 | NO | colloc | |
123284 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Alwes, Chester | *Georg Otto's "Opus Musicum Novum" (1604) and Valentin Geuck's "Novum et Insigne Opus" (1604) | 1982 | NO | colloc | |
123384 | 200 | ST | ^aAnn Arbor^cUMI^d1983 | Huseby, Gerard | The *Cantigas de santa Maria and the medieval theory of mode | 1983 | NO | colloc | |
130890 | 200 | ST | ^aAnn Arbour^cUMI^d1982 | Hunter, Mary Kathleen | *Haydn's aria forms | 1982 | NO | colloc | |
131984 | 102 | ST | ^aNew Haven^aLondon^cYale university press^dc1983 | Aristides Quintilianus | *On music | 1983 | NO | colloc | |
135990 | 102 | ST | ^aLake Crystal (Minn.)^cSoldier Creek Press^d1988 | Bratcher, Perry | *Music subject headings | 1988 | NO | colloc | |
136384 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | O[']Donnel, Kathryn | The *secular solo cantatas od Antonio Lotti | 1976 | NO | colloc | |
138590 | 200 | ST | ^aAnn Arbour^cUMI^dc1979 | Fowler, Maria Vedder | *Musical interpolations in tirtheenth- and fourteenth-century French narratives. (Volumes I and II) | 1979 | NO | colloc | |
145290 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Slocum, Kay Brainerd | *Speculum Musicae | 1988 | NO | colloc | |
145390 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Feldman, Martha | *Venice and the madrigal in the mid-sixteenth century | 1987 | NO | colloc | |
145490 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Fredlund, William Harrison | *Invasion and revolution | 1988 | NO | colloc | |
145590 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Gramit, David Edward | The *intellectual and aesthetic tenets of Franz Schubert's circle | 1987 | NO | colloc | |
145690 | 200 | ST | ^aAnn Arbour^cUMI^d1987 | Reardon, Colleen Ann | *Agostino Agazzari and the performance of sacred music in the Sienese cathedral during the early Baroque | 1987 | NO | colloc | |
146584 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Rorke, Margaret | The *spiritual madrigals of Paolo Quagliati and Antonio Cifra | 1980 | NO | colloc | |
147590 | 200 | ST | ^aAnn Arbour^cUMI^d1987 | Tinnell, Nancy Elizabeth | *Italian influence on seventtenth-century English song | 1987 | NO | colloc | |
147690 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Wilson, Blake McDowell | *Music and merchants | 1987 | NO | colloc | |
147790 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Bloxam, Mary Jennifer | A *survey of late medieval service books from the low countries | 1987 | NO | colloc | |
147890 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Boone, Graeme MacDonald | *Dufay's early chansons | 1987 | NO | colloc | |
147990 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Bowles, Kenneth Eugene | *Editions of the madrigals of Alessandro Scarlatti (1660-1725) | 1987 | NO | colloc | |
148090 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Brooks-Leonard, John Kenn | *Easter vespers in early medieval Rome | 1988 | NO | colloc | |
148190 | 200 | ST | ^aAnn Arbour^cUMI^dc1986 | Chang, Sangtae | The *sonatas of Domenico Gabrielli (1651-1690) in San Petronio | 1986 | NO | colloc | |
148290 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Cockerham, L. Glenn | The *chamber sonatas and dances of Giovanni Legrenzi | 1988 | NO | colloc | |
148390 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Englehart, Richard Eric | *Domenico Mazzocchi's 'Dialoghi e Sonetti' and 'Madrigali a cinque voci' (1683) | 1988 | NO | colloc | |
148490 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Gerig, David Allen | *An analysis of two English pre-Restoration devotional collections | 1987 | NO | colloc | |
148590 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Halverson, Patricia Jean | *Antonio Draghi's 'Il dono della Vita Eterna', 1686 | 1988 | NO | colloc | |
148690 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Kallick, Jenny L. | A *study of the advanced sketches and full score autograph for the first movement of Beethoven's Ninth Symphony, Opus 125 | 1987 | NO | colloc | |
148790 | 200 | ST | ^aAnn Arbour^cUMI^d1987 | Merrill, Thomas Glen | *Josquin Des Pres' Missa D'ung Aultre Amer | 1987 | NO | colloc | |
148890 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Slavin, Dennis | *Binchois' songs, the Binchois fragment, and the two layers of Escorial A | 1988 | NO | colloc | |
148990 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Smith, Christine Dee | *André Campra's 'Idoménée' | 1988 | NO | colloc | |
149090 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Smith, Philip M. | *Remigius autissiodorensis commentum in Martianum Capellam | 1987 | NO | colloc | |
149190 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Wasson, Jeffrey | *Gregorian graduals of the first mode | 1987 | NO | colloc | |
149290 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Widaman, Jean | The *Mass ordinary settings of Arnold de Lantins | 1988 | NO | colloc | |
149390 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Wolinski, Mary Elizabeth | The *Montpellier Codex | 1988 | NO | colloc | |
150190 | 200 | ST | ^aAnn Arbour^cUMI^dc1970 | Deavel, R. Gary | A *study of two operas by Benjamin Britten | 1970 | NO | colloc | |
150290 | 200 | ST | ^aAnn Arbour^cUMI^d1971 | Petty, Fred Curtis | *Italian opera in London | 1971 | NO | colloc | |
150390 | 200 | ST | ^aAnn Arbour^cUMI^dc1976 | Millner, Fredrick Lewis | The *operas of Johann Adolf Hasse | 1976 | NO | colloc | |
150490 | 200 | ST | ^aAnn Arbour^cUMI^dc1965 | Gould, Glen Hibbard | A *stylistic analysis of selected twelve-tone works by Luigi Dallapiccola | 1965 | NO | colloc | |
150491 | 102 | ST | ^aPrinceton^cPrinceton University Press^dc1995 | Burnham, Scott | *Beethoven hero | 1995 | NO | colloc | |
151491 | 102 | ST | ^aNew York^cDa Capo press^dc1911 | D'Indy, Vincent | *Beethoven a critical biography | 1911 | NO | colloc | |
151587 | 102 | ST | ^aNew York^cHenmar press^d1961 | Cage, John | *Music for carillon nos. 2 and 3 (graph) | 1961 | NO | colloc | |
153984 | 102 | ST | ^aDurham^cDuke University Press^d1979 | Kirkendale, Warren | *Fugue and fugato in Rococo and classical chamber music | 1979 | NO | colloc | |
154584 | 102 | ST | ^aAnn Arbor^cUMI^d1986 | Turnburke, David | *Music therapy | 1986 | NO | colloc | |
155191 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cPeters^dc1962 | Cage, John | *First construction (in metal) | 1962 | NO | colloc | |
155291 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cPeters^dc1960 | Cage, John | *Imaginary landscape No. 1 for records of constant and variable frequency, large chinese cymbal and string piano | 1960 | NO | colloc | |
155391 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cPeters^dc1960 | Cage, John | *String quartet in four parts | 1960 | NO | colloc | |
155491 | 102 | ST | ^aNew York^cHenmar press^dc1960 | Cage, John | *Sonatas and interludes | 1960 | NO | colloc | |
155591 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cPeters^dc1961 | Cage, John | *Music of changes | 1961 | NO | colloc | |
155691 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cPeters^dc1961 | Cage, John | *Music of changes | 1961 | NO | colloc | |
155891 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cPeters^dc1961 | Cage, John | *Music of changes for piano solo | 1961 | NO | colloc | |
156691 | 102 | ST | ^aNew York^cHenmar press^dc1988 | Cage, John | *Seven | 1988 | NO | colloc | |
156891 | 102 | ST | ^aNew York^cHenmar press^dc1960 | Cage, John | *Music for carillon no. 1 | 1960 | NO | colloc | |
156991 | 102 | ST | ^aNew York^cHenmar press^dc1961 | Cage, John | *Imaginary landscape no. 3 for six percussion players | 1961 | NO | colloc | |
157091 | 102 | ST | ^aNew York^cHenmar press^dc1961 | Cage, John | *Imaginary landscape no. 5 for any 42 phonograph records | 1961 | NO | colloc | |
157191 | 102 | ST | ^aNew York^cHenmar press^dc1970 | Cage, John | *Third construction | 1970 | NO | colloc | |
157291 | 102 | ST | ^aNew York^cHenmar press^dc1978 | Cage, John | *Variations VIII | 1978 | NO | colloc | |
157991 | 102 | ST | ^aNew York^cHenmar press^dc1967 | Cage, John | *Music for carillon no. 5 for a 4-octave instrument | 1967 | NO | colloc | |
158091 | 102 | ST | ^aNew York^cHenmar press^dc1962 | Cage, John | *4'33" (no. 2) (0'0") | 1962 | NO | colloc | |
158191 | 102 | ST | ^aNew York^cHenmar press^dc1960 | Cage, John | *Variations I | 1960 | NO | colloc | |
158291 | 102 | ST | ^aNew York^cHenmar press^dc1961 | Cage, John | *Variations II for any number of players and any sound producing means | 1961 | NO | colloc | |
158391 | 102 | ST | ^aNew York^cHenmar press^dc1960 | Cage, John | *Imaginary landscape no. 2 (or March no. 1) for percussion quintett | 1960 | NO | colloc | |
158491 | 102 | ST | ^aNew York^cHenmar press^dc1965 | Cage, John | *Variations V | 1965 | NO | colloc | |
158591 | 102 | ST | ^aNew York^cHenmar press^dc1963 | Cage, John | *Variations III for one or any number of people performing any actions | 1963 | NO | colloc | |
158691 | 102 | ST | ^aNew York^cHenmar press^dc1963 | Cage, John | *Variations IV | 1963 | NO | colloc | |
158790 | 102 | ST | ^aHenryville^aOttawa (Canada)^aBinningen^cThe Institute of Mediaeval Music^dc1984 | Gillingham, Bryan | *Saint-Martial Mehrstimmigkeit | 1984 | NO | colloc | |
158891 | 102 | ST | ^aNew York^cHenmar press^dc1960 | Cage, John | *Imaginary landscape no. 4 or March no. 2 for 12 radios | 1960 | NO | colloc | |
158991 | 102 | ST | ^aNew York^cHenmar press^dc1961 | Cage, John | *Music for carillon no. 4 for a 3-octave electronic instrument with accompaniment | 1961 | NO | colloc | |
159191 | 102 | ST | ^aNew York^cHenmar press^dc1966 | Cage, John | *Variations VI for a plurality of sound-systems (any sources, components and loud-speakers) | 1966 | NO | colloc | |
160291 | 102 | ST | ^aAnn Arbor^cUMI^dc1977 | Kirk, Elise Kuhl | The *chamber music of Charles Koechlin (1867-1950) | 1977 | NO | colloc | |
160391 | 102 | ST | ^aAnn Arbor^cUMI^dc1991 | Young, Keith Ray | The *solo and chamber saxophone music of Charles Koechlin (1867-1950) | 1991 | NO | colloc | |
160491 | 102 | ST | ^aNew York^cHenmar press^dc1976 | Cage, John | *Living room music | 1976 | NO | colloc | |
160591 | 102 | ST | ^aNew York^cHenmar press^dc1960 | Cage, John | *Music walk for one or more pianists, using also radio and/or recordings | 1960 | NO | colloc | |
162691 | 102 | ST | ^aAlbany^cState University of New York Press^d1994 | Aercke, Kristiaan P. | *Gods of play | 1994 | NO | colloc | |
163690 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Mcfarland, Thomas John | *Giuseppe Colombi | 1988 | NO | colloc | |
163790 | 200 | ST | ^aAnn Arbour^cUMI^dc1989 | Hanlon, Kenneth M. | The *eighteenth-century trombone | 1989 | NO | colloc | |
163890 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Bullard, Beth Alice Baehr | *Musical instruments in the early sixteenth century | 1987 | NO | colloc | |
163990 | 200 | ST | ^aAnn Arbour^cUMI^dc1987 | Rice, Albert Richard | A *history of the clarinet to 1820 | 1987 | NO | colloc | |
164090 | 200 | ST | ^aAnn Arbour^cUMI^dc1988 | Alcorn, Allison Ann | A *study of style and influence in the early schools of violin making 1540 to circa 1800 | 1988 | NO | colloc | |
164190 | 200 | ST | ^aAnn Arbour^cUMI^dc1979 | Bowman, Cheryl Ann | The *evolution of the transverse flute from the Baroque era | 1979 | NO | colloc | |
164290 | 200 | ST | ^aAnn Arbor^cUMI^dc1988 | Burgess, Jon Wesley | An *annotated bibliography of trumpet ensemble music (for five or more trumpets) | 1988 | NO | colloc | |
164390 | 200 | ST | ^aAnn Arbour^cUMI^dc1970 | Fellin, Eugene Constant | A *study of superius variants in the sources of Italian Trecento music | 1970 | NO | colloc | |
169791 | 102 | ST | ^aPortland^cAmadeus press^dc1996 | Schlosser, Johann Aloys | *Beethoven the first biography [1827] | 1996 | NO | colloc | |
181598 | 102 | ST | Hieronymus [santo] | *Dialogus contra Pelagianos [etc.] | 0000 | NO | colloc | ||
181990 | 102 | ST | ^aNew York^cSchirmer Books^aLondon^dc1987 | Snyder, Kerala J. | *Dietrich Buxtehude | 1987 | NO | colloc | |
183698 | 102 | ST | ^aPrinceton^cPrinceton University Press^dc1991 | Agawu, Kofi | *Playing with signs | 1991 | NO | colloc | |
185290 | 102 | ST | ^aCambridge, Massachusetts^cHarvard University Library^d1960 | Haar, James | *Musica mundana | 1960 | NO | colloc | |
186990 | 102 | ST | ^aAnn Arbor^cUMI^d1992 | Hennig, Dennis John | *Charles-Valentin Alkan | 1992 | NO | colloc | |
189884 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Wilson, Eugene | *Form and texture in the chamber music of Debussy and Ravel | 1968 | NO | colloc | |
189984 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Thompson, Harold | The *evolution of whole-tone sound in Liszt's original piano works | 1975 | NO | colloc | |
190084 | 200 | ST | ^aAnn Arbor^cUMI^d1980 | Suben, Joel | *Debussy and octatonic pitch structure | 1980 | NO | colloc | |
190098 | 102 | ST | ^aAnn Arbor^cUMI^d1999 | Marshall, George | The *harmonic laws in the madrigals of Carlo Gesualdo | 1999 | NO | colloc | |
190184 | 200 | ST | ^aAnn Arbor^cUMI^d1981 | Straus, Joseph | A *theory of harmony and voice leading in the music of Igor Stravinsky | 1981 | NO | colloc | |
190198 | 102 | ST | ^aAnn Arbor^cUMI^d1999 | Anderson, John | The *cadence in the madrigals of Gesualdo | 1999 | NO | colloc | |
190284 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | Marcus, Robert | The *use of five-course guitar as a continuo instrument as described in Spanish treatises (1596-1764) | 1978 | NO | colloc | |
190384 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Pinnel, Ruth | The *role of Francesco Corbetta (1615-1681) in the history of music for the baroque guitar | 1977 | NO | colloc | |
190484 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Chrisman, Richard | A *theory of axis-tonality for twentieth-century music | 1970 | NO | colloc | |
190584 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Guenther, Roy | *Varvara Dernova's Garmoniia Skriabina | 1979 | NO | colloc | |
190684 | 200 | ST | ^aAnn Arbor^cUMI^d1981 | Kielian_Gilbert, Marianne | *Pitch-class function, centricity and simmetry as transposition relations in two works of Stravinsky | 1981 | NO | colloc | |
191090 | 200 | ST | ^aAnn Arbor^cUMI^d[c1978?] | Glick, David A. | The *five-keyed clarinet | 1978 | NO | colloc | |
193990 | 200 | ST | ^aAnn Arbor^cUMI^d[c1968] | Cannon, Clawson Young | The *16-th and 17-th century organ-mass | 1968 | NO | colloc | |
194090 | 200 | ST | ^aAnn Arbour^cUMI^dc1973 | Lynn, Robert Burgess | *Renaissance organ music for the Proper of the Mass in continental sources | 1973 | NO | colloc | |
194190 | 200 | ST | ^aAnn Arbor^cUMI^d[c1982] | Bush, Douglas Earl | The *liturgical use of the organ in German regions prior to the protestant Reformation | 1982 | NO | colloc | |
194290 | 200 | ST | ^aAnn Arbor^cUMI^dc1983 | Harden, Bettie Jean | *Sharps, flats, and scribes | 1983 | NO | colloc | |
194390 | 200 | ST | ^aAnn Arbor^cUMI^d[c1985] | Schaefer, Edward E. | The *relationship between the Liturgy of roman rite and the italian literature of the sixteenth and seventeenth centuries | 1985 | NO | colloc | |
196124 | 102 | ST | ^aNew York^cNorton & Company^dc1943 | Sachs, Curt <1881-1959> | *The rise of music in the ancient world | 1943 | NO | colloc | |
196284 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Garcia, Francisco | *Pietro Cerone's "El Melopeo y Maestro" | 1979 | NO | colloc | |
197698 | 102 | ST | ^aAldershot^cAshgate^dc1999 | Ledsham, Ian | A *catalogue of the Shaw-Hellier collection in the Music Library, Barber Institute of fine arts, The University of Birmingham | 1999 | NO | colloc | |
197898 | 102 | ST | ^aAldershot [etc.]^cVariorum^dc1999 | Bowers, Roger | *English church polyphony | 1999 | NO | colloc | |
197998 | 102 | ST | ^aAldershot [etc.]^cVariorum^dc1998 | Sanders, Ernest | *French and English polyphony of the 13th and 14th centuries | 1998 | NO | colloc | |
198598 | 102 | ST | ^aAldershot [etc.]^cVariorum^dc1999 | Steiner, Ruth | *Studies in Gregorian chant | 1999 | NO | colloc | |
198698 | 102 | ST | ^aAldershot [etc.]^cVariorum^dc1998 | McKinnon, James | The *temple, the church fathers and early western chant | 1998 | NO | colloc | |
198798 | 102 | ST | ^aAldershot [etc.]^cAshgate^dc1999 | Talbot, Michael <1943- > | *Venetian music in the age of Vivaldi | 1999 | NO | colloc | |
2081 | 102 | ST | ^aNew York^cAlfred. A. Knopf^d1971 | Weinstock, Herbert | *Vincenzo Bellini | 1971 | NO | colloc | |
209734 | 102 | ST | ^aPrinceton (New Jersey)^cPrinceton University Press^d1953 | Kirkpatrick, Ralph | *Domenico Scarlatti | 1953 | NO | colloc | |
212190 | 102 | ST | ^aNew York [etc.]^cGordon and Beach^dc1988 | Guion, David M. | The *trombone | 1988 | NO | colloc | |
214184 | 102 | ST | ^aBloomington^cIndiana University Press^dc1986 | Paras, Jason | The *music for viola bastarda | 1986 | NO | colloc | |
214384 | 200 | ST | ^aAnn Arbor^cUMI^d1961 | Spiro, Arthur | The *five-parts madrigals of Luzzasco Luzzaschi | 1961 | NO | colloc | |
217084 | 200 | ST | ^aAnn Arbor^cUMI^d1981 | Solomon, John | *Cleonides "Isayoyi armoniki" [sic] | 1981 | NO | colloc | |
222590 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Getz, Christiane Susanne | *Music and patronage in Milan, 1535-1550, and Vincenzo Ruffo's first motet book | 1991 | NO | colloc | |
222690 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Hand, Mary Jane | *Musical aspects of "The Canterbury tales" | 1991 | NO | colloc | |
222790 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Monkres, Lynn Hugh | "The *saint Gregory hymnal and catholic choir book" | 1991 | NO | colloc | |
222890 | 200 | ST | ^aAnn Arbor^cUMI^d1990 | Scea, Susan | A *critical edition of Johannes de Muris's "Musica speculativa" | 1990 | NO | colloc | |
222990 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Barber, Elizabeth Jean | The *music of Hayne van Ghizeghem | 1991 | NO | colloc | |
223090 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Crook, David | *Orlando di Lasso's Magnificats ad imitationem | 1991 | NO | colloc | |
22324 | 102 | ST | ^aNew York^cNorton & Company^dc1950 | Schrade, Leo | *Monteverdi | 1950 | NO | colloc | |
223398 | 102 | ST | ^aCambridge (Mass.)^aLondon^cHarvard University Press^dc1992 | Lester, Joel | *Compositional theory in the eighteenth century | 1992 | NO | colloc | |
223498 | 102 | ST | ^aCambridg (Mass.)^aLondon^cHarvard University Press^dc1995 | Brinkmann, Reinhold | *Late idyll | 1995 | NO | colloc | |
223598 | 102 | ST | ^aNew York^aLondon^cNorton^dc1998 | Atlas, Allan W. | *Renaissance music | 1998 | NO | colloc | |
223798 | 102 | ST | ^aPrinceton^cPrinceton University Press^dc1998 | Levy, Kenneth | *Gregorian chant and the Carolingians | 1998 | NO | colloc | |
223998 | 102 | ST | ^aBerkeley^cUniversity of California Press^d1991 | Perle, George | *Serial composition and atonality | 1991 | NO | colloc | |
224898 | 102 | ST | ^aNew York^aLondon^cNorton & Co.^dc1968 | Cone, Edward | *Musical form and musical performance | 1968 | NO | colloc | |
233390 | 102 | ST | ^aNew York^cColumbia University^d1992 | Raimondi, Matthew | *G. B. Sammartini's contribution to the development of the early string quartet | 1992 | NO | colloc | |
233998 | 102 | ST | ^aAnn Arbor^cUMI^d2000 | Graue, Jerald | *Muzio Clementi and the development of pianoforte music in industrial England | 2000 | NO | colloc | |
234062 | 102 | ST | ^aNew York^cNorton & Company^dc1957 | Parrish, Carl | The *notation of Medieval music | 1957 | NO | colloc | |
234098 | 102 | ST | ^aAnn Arbor^cUMI^d2000 | Milligan, Thomas | The *concerto in London, 1790-1800 | 2000 | NO | colloc | |
237584 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Hopkins, James | *Ravel's orchestral transcription technique | 1969 | NO | colloc | |
239755 | 102 | ST | ^aDenver (Colorado)^cBibliographical Center for Research Denver Public Library^d1958 | Coover, B. | *Music Lexicography | 1958 | NO | colloc | |
240683 | 102 | ST | ^aNew York^cColumbia University Press^d1960 | Grout, Donald | A *short history of Opera | 1960 | NO | colloc | |
240984 | 102 | ST | Fruhewald, Edwin | *Harmonic organization in the large-scale chamber works of Maurice Ravel's "style dépouillés" | 0000 | NO | colloc | ||
24166 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1961 | Lowinsky, Edward Elias | *Tonality and atonality in sixteenth-century music | 1961 | NO | colloc | |
24167 | 102 | ST | ^aNorman^cUniversity of Oklahoma Press^dc1958 | Carpenter, Nan | *Music in the medieval and renaissance universities | 1958 | NO | colloc | |
24170 | 102 | ST | ^aNew York^cNorton & Company^dc1950 | Strunk, Oliver | *Source readings in music history from classical antiquity through the romantic era | 1950 | NO | colloc | |
242171 | 102 | ST | ^aCambridge (Mass.)^cHarvard University Press^d1941 | Bessaraboff, Nicholas | *Ancient European musical instruments | 1941 | NO | colloc | |
243590 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Little, John Arthur | *Romantic Italian song style in the works of Francesco Paolo Tosti and some of his contemporaries | 1991 | NO | colloc | |
244304 | 102 | ST | ^aEast Lansing^cMichigan State College Press^d1953 | Barbour, J. | *Tuning and temperament | 1953 | NO | colloc | |
244398 | 102 | ST | ^aCambridge (Mass.)^cHarvard University Press^d1990 | Straus, Joseph | *Remaking the past | 1990 | NO | colloc | |
245065 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1962 | Perle, George | *Serial composition and atonality | 1962 | NO | colloc | |
245393 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1961 | Stevenson, Robert | *Spanish cathedral music in the golden age | 1961 | NO | colloc | |
24574 | 102 | ST | ^aChapel Hill^cThe University of North Carolina Press^d1962 | Linker, Robert White | *Music of the Minnesinger and early Meistersinger | 1962 | NO | colloc | |
246915 | 102 | ST | ^aCambridge (Massachusetts)^cHarvard University Press^d1960 | Bodky, Erwin | The *interpretation of Bach's keyboard works | 1960 | NO | colloc | |
247390 | 102 | ST | ^aBoston^cMusic Library Association^dc1987 | Wenk, Arthur B. | *Analyses of nineteenth- and twentieth-century music | 1987 | NO | colloc | |
247513 | 102 | ST | ^aCambridge (Massachusetts)^cHarvard University Press^d1963 | Brown, Howard Mayer | *Music in the French secular theater | 1963 | NO | colloc | |
247679 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1963 | Sparks, Edgar | *Cantus firmus in mass and motet | 1963 | NO | colloc | |
252613 | 102 | ST | ^aBrooklyn^cInstitute of mediaeval music^dc1959 | Handlo, Robertus : de | *[Regulae cum maximis Magistri Franconis cum additionibus aliorum musicorum compilatae a Roberto de Handlo] | 1959 | NO | colloc | |
254426 | 102 | ST | ^aNew York^cFurman^dc1939 | Witmark, Isidore | *From Ragtime to Swingtime | 1939 | NO | colloc | |
254858 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1963 | May, Elizabeth | The *influence of the Meiji period on Japanese children's music | 1963 | NO | colloc | |
254859 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1964 | Hagopian, Viola | *Italian ars nova music | 1964 | NO | colloc | |
255162 | 102 | ST | ^aNew York^cQueens College Press^dc1964 | *The department of music Queens College of the City University of New York ... | 1964 | NO | colloc | ||
255730 | 102 | ST | ^aWashington^cThe Robert Owen Lehman Foundation^d1964 | Chopin, Fryderyk Franciszek | *Étude | 1964 | NO | colloc | |
255738 | 102 | ST | ^aWashington^cThe Robert Owen Lehman Foundation^d1963 | Debussy, Claude | *Prélude a L'aprés-midi d'un faune | 1963 | NO | colloc | |
25597 | 102 | ST | ^aDurham (North Carolina)^cDuke University Press^d1962 | Klenz, William | *Giovanni Maria Bononcini of Modena | 1962 | NO | colloc | |
258484 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Schnoebelen, Mary | The *concerted mass at San Petronio in Bologna (ca. 1660-1730) | 1966 | NO | colloc | |
258584 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Warren, Jerry | The *"Motetti a voce sola" of Mauritio Cazzati | 1967 | NO | colloc | |
258684 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Johnson, Margaret | *Agostino Agazzari (1578-1640) | 1972 | NO | colloc | |
258981 | 102 | ST | ^aNew York^cNorton & Company^dc1966 | Aldrich, Putnam | *Rhythm in seventeenth-century Italian monody | 1966 | NO | colloc | |
259100 | 102 | ST | ^aNew York^cNorton & Company^dc1966 | *Aspects of Medieval and Renaissance music | 1966 | NO | colloc | ||
259998 | 102 | ST | ^aPortland (Oregon)^cAmadeus press^dc1992 | Blaukopf, Kurt | *Musical life in a changing society | 1992 | NO | colloc | |
2622 | 102 | ST | ^aWestport^cGreenwood Press^d1973 | Waite, William G. | The *rhythm of twelfth century polyphony | 1973 | NO | colloc | |
263398 | 102 | ST | ^aStuyvesant (NY)^cPendragon Press^d[1994] | Kárpáti, János | *Bartók chamber music | 1994 | NO | colloc | |
263498 | 102 | ST | ^aPhiladelphia^cUniversity of Pennsylvania Press^dc1999 | Wheeler, Stephen | A *discourse of wonders | 1999 | NO | colloc | |
263598 | 102 | ST | ^aBaltimora^aLondon^cThe Johns Hopkins University Press^dc1999 | Dupont, Florence | The *invention of literature | 1999 | NO | colloc | |
266075 | 102 | ST | ^aNew York^cPantheon^dc1945 | Mendelssohn-Bartholdy, Felix | *Letters | 1945 | NO | colloc | |
267890 | 102 | ST | ^aAnn Arbor^cUMI^d1991 | La_Via, Stefano | *Cipriano de Rore as reader and as read | 1991 | NO | colloc | |
268998 | 102 | ST | ^aBloomington^aIndianapolis^cIndiana University Press^dc1993 | Crabtree, Phillip | *Sourcebook for research in music | 1993 | NO | colloc | |
269886 | 102 | ST | ^aGainesville^cUniversity of Florida Press^d1967 | Kniseley, S. | The *masses of Francesco Soriano | 1967 | NO | colloc | |
270147 | 102 | ST | ^aPrinceton (New Jersey)^cPrinceton University Press^d1964 | Hamm, Charles | A *chronology of the works of Guillaume Dufay based on a study of mensural practice | 1964 | NO | colloc | |
270884 | 102 | ST | ^aNew York^cBroude^dstampa 1967 | Morphy, Guillermo | Les *luthistes espagnoles du XVIe siècle | 1967 | NO | colloc | |
271384 | 200 | ST | ^aAnn Arbor^cUMI^d1960 | Davis, Bertran | The *works of Johannes Vincent | 1960 | NO | colloc | |
271396 | 102 | ST | ^aNew York^cBrounde Brothers^d1969 | Aubry, Pierre | *La musicologie médiévale | 1969 | NO | colloc | |
271399 | 102 | ST | ^aNew York^cBroude Brothers Limited^d1969 | Aubry, Pierre | Les *plus anciens monuments de la musique Française | 1969 | NO | colloc | |
271584 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Schmalz, Robert | *Selected fifteenth century polyphonic mass ordinaries based upon pre-existent german material | 1972 | NO | colloc | |
271684 | 200 | ST | ^aAnn Arbor^cUMI^d1960 | Shipp, Clifford | A *chansonnier of the Dukes of Lorraine | 1960 | NO | colloc | |
271884 | 200 | ST | ^aAnn Arbor^cUMI^d[1970] | Wolff, Arthur | The *Chansonnier Biblioteca Casanatense 2856 | 1970 | NO | colloc | |
271984 | 200 | ST | ^aAnn Arbor^cUMI^d1986 | Nádas, John | The *trasmission of Trecento secular polyphony | 1986 | NO | colloc | |
272303 | 102 | ST | ^aCambridge (Massachusetts)^cHarvard University Press^d1956 | Grosbayne, Benjamin | *Techniques of modern orchestral conducting | 1956 | NO | colloc | |
272306 | 102 | ST | ^aNew Haven^cYale University Press^d1959 | Bach, Johann Sebastian | *Clavier-Büchlein vor Wilhelm Friedemann Bach | 1959 | NO | colloc | |
272310 | 102 | ST | ^aNew York^cNorton & Company^d1966 | Dorian, Frederick | The *history of music in performance | 1966 | NO | colloc | |
272357 | 102 | ST | ^aCambridge (Massachusetts)^cHarvard University Press^d1964 | Schrade, Leo | *Tragedy in the art of music | 1964 | NO | colloc | |
273211 | 102 | ST | ^aAnn Arbor (Michigan)^cUniversity Microfilms^d1970 | Isgro, Robert | The *first and second practices of Monteverdi | 1970 | NO | colloc | |
27360 | 102 | ST | ^aNew York^cColumbia University Press^d1951 | Sendrey, Alfred | *Bibliography of Jewish music | 1951 | NO | colloc | |
273619 | 102 | ST | ^a[Usa]^cUniversal Edition^d[1967] | Lockwood, Lewis | The *counter-reformation and the Masses of Vincenzo Ruffo | 1967 | NO | colloc | |
2740 | 102 | ST | ^aNew York^cDa Capo Press^d1974 | Riemann, Hugo | *History of music theory | 1974 | NO | colloc | |
276238 | 102 | ST | ^aLondon^cMethuen & Co. LTD.^d1970 | Pattison, Bruce | *Music and poetry of the English Renaissance | 1970 | NO | colloc | |
276252 | 102 | ST | ^aNew York^cThe Free Press^dc1965 | Wienandt, Elwyn | *Choral music of the church | 1965 | NO | colloc | |
277753 | 102 | ST | ^aNew York^cIrving Field^dc1972 | *The musician's guide | 1972 | NO | colloc | ||
278902 | 102 | ST | ^aCambridge (Massachusetts)^cThe M.I.T. Press^dc1969 | Mathews, Max | The *technology of computer music | 1969 | NO | colloc | |
2789 | 102 | ST | ^aNew York^cBroude Brothers^dstampa 1969 | Heyden, Sebald | *De arte canendi | 1969 | NO | colloc | |
279557 | 102 | ST | ^aDetroit (Michigan)^cInformation service^d1962 | MacArdle, Donald | An *index to Beethoven's conversation books | 1962 | NO | colloc | |
28034 | 102 | ST | ^a[Usa]^cAmerican Institute of Musicology^d1961 | Muffat, Georg | An *essay on thoroughbass | 1961 | NO | colloc | |
280792 | 102 | ST | ^aHillsdale^aNew York^cPendragon^dc1972 | Brook, Barry | *Thematic catalogues in music | 1972 | NO | colloc | |
280830 | 102 | ST | ^aSt. Meinrad (Indiana)^cSt. Meinrad Archabbey^dc1964 | Kelly, Columba, rev. | The *cursive torculus design in the codex St. Gall 359 and its rhythmical significance | 1964 | NO | colloc | |
28105 | 102 | ST | ^aNew York^cNorton & Company^dc1943 | Fux, Johann | *Steps to Parnassus | 1943 | NO | colloc | |
282072 | 102 | ST | ^aNew York^aLondon^cThe Macmillan Company^d1924 | Stanley, Albert | *Greek themes in modern musical settings | 1924 | NO | colloc | |
282961 | 102 | ST | ^aPhiladelphia^aNew York^aLondon^cChilton Book Company^dc1969 | Kutsch, Karl | A *concise biographical dictionary of singers from the beginning of recorded sound to the present | 1969 | NO | colloc | |
283909 | 102 | ST | ^aNew York^cDa Capo Press^d1965 | Dent, Edward | *Foundations of English opera | 1965 | NO | colloc | |
284325 | 102 | ST | ^aPrinceton (New Jersey)^cPrinceton University Press^dc1973 | Randel, Don Michael | An *index to the chant of the Mozarabic rite | 1973 | NO | colloc | |
284334 | 102 | ST | ^aIowa city^cUniversity of Iowa Press^dc1972 | Crane, Frederick | *Extant medieval musical instruments | 1972 | NO | colloc | |
284560 | 102 | ST | ^aNew York^cDover Publications^dc1970 | Jeppesen, Knud | The *style of Palestrina and the dissonance | 1970 | NO | colloc | |
284561 | 102 | ST | ^aNew York^cNorton & Company^dc1967 | Blume, Friedrich | *Renaissance and Baroque music | 1967 | NO | colloc | |
284562 | 102 | ST | ^aNew York^cDover Publications^d1968 | Mellers, Wilfrid | *François Couperin and the French classical tradition | 1968 | NO | colloc | |
284928 | 102 | ST | ^aNew York^cAmerican musicological society^dc1962 | Kerman, Joseph | The *Elizabethan madrigal | 1962 | NO | colloc | |
284991 | 102 | ST | ^aNew York^cNorton & Company^dc1948 | Piston, Walter | *Harmony | 1948 | NO | colloc | |
285041 | 102 | ST | ^aNew York^cNorton & Company^dc1947 | Piston, Walter | *Counterpoint | 1947 | NO | colloc | |
292398 | 102 | ST | ^aNew York^cHarry N. Abrams^d1984 | Courthion, Pierre | *Edouard Manet | 1984 | NO | colloc | |
293990 | 200 | ST | ^aAnn Arbor^cUMI^d1993 | Swenson, Edward | *Antonio Salieri | 1993 | NO | colloc | |
294184 | 200 | ST | ^aAnn Arbor^cUMI^d1984 | Meadors, James | *Italian lute fantasias and ricercare printed in the second half of sixteenth century | 1984 | NO | colloc | |
294476 | 102 | ST | ^aDetroit^cInformation coordinators^d1972 | Parkinson, John | An *index to the vocal works of Thomas Augustine Arne and Michael Arne | 1972 | NO | colloc | |
295465 | 102 | ST | ^aNew York^cDa Capo Press^d1974 | Heriot, Angus | The *castrati in opera | 1974 | NO | colloc | |
295466 | 102 | ST | ^aNew York^aSt. Louis^aSan Francisco^cMcGraw-Hill Book Company^dc1975 | Nulman, Macy | *Concise encyclopedia of Jewish music | 1975 | NO | colloc | |
295506 | 102 | ST | ^aNew York^cDa Capo Press^d1974 | Clementi, Muzio | *Introduction to the art of playing on the piano forte | 1974 | NO | colloc | |
295516 | 102 | ST | ^aNew York^cDa Capo Press^d1973 | Georgiades, Thrasybulos | *Greek music, verse and dance | 1973 | NO | colloc | |
295517 | 102 | ST | ^aNew York^cDa Capo Press^d1971 | Dunn, John <1940- > | *Ornamentation in the works of Frederick Chopin | 1971 | NO | colloc | |
295518 | 102 | ST | ^aNew York^cDa Capo Press^d1971 | Densmore, Frances | *Handbook of the collection of musical instruments in the United States National Museum | 1971 | NO | colloc | |
295519 | 102 | ST | ^aNew York^cDa Capo Press^d1970 | Naylor, Edward | An *Elizabethan virginal book | 1970 | NO | colloc | |
295520 | 102 | ST | ^aNew York^cDa Capo Press^d1970 | Pulver, Jeffrey | *Paganini | 1970 | NO | colloc | |
295521 | 102 | ST | ^aNew York^cDa Capo Press^d1968 | Blom, Eric | *Beethoven's pianoforte sonatas discussed | 1968 | NO | colloc | |
295523 | 102 | ST | ^aNew York^cDa Capo Press^d1974 | Hastings, Thomas | *Dissertation on musical taste or General priciples of taste applied to the art of music | 1974 | NO | colloc | |
295525 | 102 | ST | ^aNew York^cDa Capo Press^d1973 | Kiesewetter, Raphael Georg | *History of the modern music of western Europe | 1973 | NO | colloc | |
295526 | 102 | ST | ^aNew York^cDa Capo Press^d1968 | Henry, Leigh | *Dr. John Bull | 1968 | NO | colloc | |
295527 | 102 | ST | ^aNew York^cDa Capo Press^d1970 | Leibowitz, René | *Schönberg and his school | 1970 | NO | colloc | |
29574 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^d1964 | Nagler, Alois | *Theatre festivals of the Medici | 1964 | NO | colloc | |
295955 | 102 | ST | ^aNew York^cDa Capo Press^d1969 | Denis, Jean | *Traité de l'accord de l'espinette | 1969 | NO | colloc | |
296057 | 102 | ST | ^aNew York^cDa Capo Press^d1972 | Brown, Maurice | *Chopin | 1972 | NO | colloc | |
2961 | 102 | ST | ^aNew York^cKraus reprint^d1970 | Landini, Francesco <ca. 1325-1397> | The *works of Francesco Landini | 1970 | NO | colloc | |
296284 | 102 | ST | Lefkoff, Gerald | *Five sixteenth century Venetian lute books | 0000 | NO | colloc | ||
297793 | 102 | ST | ^aToronto^aBuffalo^cUniversity of Toronto Press^dc1974 | Hughes, Andrew | *Medieval music | 1974 | NO | colloc | |
298808 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1975 | Brown, Thomas Alan | The *aesthetics of Robert Schumann | 1975 | NO | colloc | |
298809 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^dc1969 | Howard, Patricia | The *Operas of Benjamin Britten | 1969 | NO | colloc | |
298810 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1970 | Wellesz, Egon | *Arnold Schönberg | 1970 | NO | colloc | |
298811 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1976 | *New looks at Italian opera | 1976 | NO | colloc | ||
29992 | 102 | ST | ^aNew York^aLondon^aFrankfurt^cHinrichsen^dc1962 | Dolmetsch, Nathalie | The *viola da gamba | 1962 | NO | colloc | |
300599 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1961 | Descartes, René | *Compendium of music | 1961 | NO | colloc | |
300602 | 102 | ST | ^a[Usa]^cAmerican Institute of Musicology^d1966 | Kaufmann, Henry | The *life and works of Nicola Vicentino | 1966 | NO | colloc | |
300603 | 102 | ST | ^a[USA]^cAmerican Institute of Musicology^d1964 | Finscher, Ludwig | *Loyset Compère | 1964 | NO | colloc | |
300605 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1965 | Haar, James | The *Tugendsterne of Harsdörffer and Staden | 1965 | NO | colloc | |
300606 | 102 | ST | ^a[Usa]^cAmerican Institute of Musicology^d1967 | Kenton, Egon | *Life and works of Giovanni Gabrieli | 1967 | NO | colloc | |
300607 | 102 | ST | ^a[Usa]^cAmerican Institute of musicology^d1966 | MacClintock, Carol | *Giaches de Wert | 1966 | NO | colloc | |
300610 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1968 | Gaffurio, Franchino | *Practica musicae | 1968 | NO | colloc | |
300612 | 102 | ST | ^a[Usa]^cAmerican Institute of musicology^d1969 | Warren, Edwin | *Life and works of Robert Fayrfax | 1969 | NO | colloc | |
300613 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1970 | Cochlaeus, Johannes | *Tetrachordum musices | 1970 | NO | colloc | |
300614 | 102 | ST | ^a[Dallas]^cAmerican Institute of Musicology^d1972 | Allaire, Gaston | The *theory of hexachords, solmization and the modal system | 1972 | NO | colloc | |
300616 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1972 | Heyden, Sebald | *De arte canendi | 1972 | NO | colloc | |
300617 | 102 | ST | ^a[Usa]^cAmerican Institute of Musicology^d1972 | Hughes, Andrew | *Manuscript accidentals | 1972 | NO | colloc | |
300618 | 102 | ST | ^a[Usa]^cAmerican Institute of musicology^d1972 | Bradshaw, Murray | The *origin of the toccata | 1972 | NO | colloc | |
300622 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1973 | Cardano, Girolamo | *Writings on music | 1973 | NO | colloc | |
300684 | 102 | ST | Trowell, Brian | *Music under the later Plantagenets | 0000 | NO | colloc | ||
301784 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^dc1986 | Neubauer, John | The *emancipation of music from language | 1986 | NO | colloc | |
302390 | 102 | ST | ^aNew York^cV.I.E.W.^dc1986 | Händel, Georg Friedrich | *Julius Caesar | 1986 | NO | colloc | |
302745 | 102 | ST | ^aWestport (Connecticut)^cGreenwood^d1976 | Sollitt, Edna Richolson | *Dufay to Sweelinck | 1976 | NO | colloc | |
302746 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1967 | Newman, Ernest | *Gluck and the opera | 1967 | NO | colloc | |
302747 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1970 | Massenet, Jules-Émile-Frédéric | *My recollections | 1970 | NO | colloc | |
302748 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1971 | Kidson, Frank | The *Beggar's opera | 1971 | NO | colloc | |
302884 | 200 | ST | ^aAnn Arbor^cUMI^d1954 | Müller, Robert | The *concept of tonality in impressionist music | 1954 | NO | colloc | |
303384 | 102 | ST | ^aNew York^cColumbia University Libraries^d[1960] | Strainchamps, Edmond | *Luzzasco Luzzaschi and his five-part madrigals | 1960 | NO | colloc | |
303498 | 102 | ST | ^aPortland (Oregon)^cAmadeus Press^dc1996 | Mongrédien, Jean | *French music from the Enlightenment to Romanticism | 1996 | NO | colloc | |
304221 | 102 | ST | ^aNew York^cThe Liberal Arts Press^dc1957 | Bukofzer, Manfred F. | The *place of musicology in American institutions of higher learning | 1957 | NO | colloc | |
304778 | 102 | ST | ^aSt. Clair Shores (Michigan)^cScholarly Press^d1977 | Kunst, Jaap | *Ethno-musicology | 1977 | NO | colloc | |
304779 | 102 | ST | ^aMichigan^cScholarly Press^d1978 | Galpin, Francis | *Old english instruments of music | 1978 | NO | colloc | |
305090 | 102 | ST | ^aChapel Hill^cUniversity of North Carolina^d1952 | Livingston, Herbert | The *Italian overture from A. Scarlatti to Mozart | 1952 | NO | colloc | |
305290 | 102 | ST | ^aLos Alto^cThe Packard Humanities Institute^dc1991 | *PHI | 1991 | NO | colloc | ||
307584 | 102 | ST | ^aAnn Arbor^cUMI Research Press^dc1983 | Mann, Brian | The *secular madrigals of Filippo di Monte, 1521-1603 | 1983 | NO | colloc | |
307784 | 200 | ST | ^aAnn Arbor^cUMI^d[1956] | Weichlein, William | A *comparative study of five musical settings of "La clemenza di Tito" | 1956 | NO | colloc | |
307984 | 200 | ST | ^aAnn Arbor^cUMI^d1969 | Snow | The *manuscript Strahov D.G.W.47 | 1969 | NO | colloc | |
308084 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Moerk, Alice | The *Seville Chansonnier | 1972 | NO | colloc | |
308184 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Seaton, Stuart | A *study of Mendelssohn's sketches and other autograph material in Deutsche Staatsbibliothek Berlin Mus. Ms. Autograph Mendelssohn 19 | 1977 | NO | colloc | |
308384 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Sprague, Cheryl | A *comparison of five musical settings of Metastasio's "Artaserse" | 1979 | NO | colloc | |
308484 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Todd, Ralph | The *instrumental music of Felix Mendelssohn-Bartholdy | 1979 | NO | colloc | |
308584 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Trowbridge, Lynn | The *fifteenth-century French chanson | 1982 | NO | colloc | |
308684 | 200 | ST | ^aAnn Arbor^cUMI^d[1983] | Wilson, Kenneth | L' *Olimpiade | 1983 | NO | colloc | |
3105 | 200 | ST | ^aAnn Arbor^cUMI^d[1858] | Wade, Walter | The *sacred style of Luca Marenzio as represented in his four-part motets | 1858 | NO | colloc | |
31205 | 102 | ST | ^aWashington^cThe Robert Owen lehman Foundation^d1964 | Mozart, Wolfgang Amadeus | *Piano Concerto K. 491 | 1964 | NO | colloc | |
31293 | 102 | ST | ^aRidgewood (New Jersey)^cThe Gregg Press^d1966 | Zarlino, Gioseffo | *Dimostrationi harmoniche | 1966 | NO | colloc | |
3135 | 102 | ST | ^aNew York^cGreenwood Press^d1969 | William, C. F. Abdy | The *story of notation | 1969 | NO | colloc | |
314467 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^dc1978 | Neighbour, Oliver | The *consort and keyboard music of William Byrd | 1978 | NO | colloc | |
314468 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California^dc1979 | Jarman, Douglas | The *music of Alban Berg | 1979 | NO | colloc | |
314700 | 102 | ST | ^aAnn Arbor (Michigan)^cU.M.I. Research Press^dc1979 | Hallmark, Rufus E. | The *genesis of Schumann's "Dichterliebe" | 1979 | NO | colloc | |
314856 | 102 | ST | ^aAnn Arbor (Michigan)^cUMI^dc1980 | Silbiger, Alexander | *Italian manuscript sources of 17th century keyboard music | 1980 | NO | colloc | |
31655 | 102 | ST | ^aNew York^cDover Publications^dc1964 | Buonanni, Filippo <1638-1725> | The *showcase of musical instruments | 1964 | NO | colloc | |
316898 | 102 | ST | ^aLincoln^aLondon^cUniversity of Nebraska Press^dc1999 | Mathiesen, Thomas | *Apollo's lyre | 1999 | NO | colloc | |
317453 | 102 | ST | ^a[Ann Arbor (Michigan)]^cUMI Research Press^dc1979 | Millner, Fredrick | The *operas of Johann Adolf Hasse | 1979 | NO | colloc | |
317456 | 102 | ST | ^a[Ann Arbor (Michigan)[^cUMI Research Press^dc1979 | Newman, Joyce | *Jean-Baptiste de Lully and his tragédies lyriques | 1979 | NO | colloc | |
320129 | 102 | ST | ^aNew York^cDa Capo Press^d1978 | Lee, Vernon | *Studies of the eighteenth century in Italy | 1978 | NO | colloc | |
320130 | 102 | ST | ^aNew York^cDa Capo Press^d1977 | Orcutt, William | The *Stradivari memorial at Washington, the National Capital | 1977 | NO | colloc | |
320132 | 102 | ST | ^aNew York^cDa Capo Pres^d1975 | Lippman, Edward A. | *Musical thought in ancient Greece | 1975 | NO | colloc | |
320443 | 102 | ST | ^aNew York^cPendragon Press^dc1979 | Schnoebelen, Anne | *Padre Martini's collection of letters in the Civico Museo Bibliografico Musicale in Bologna | 1979 | NO | colloc | |
320500 | 102 | ST | ^aStroudsburg (Pennsylvania)^cDowden, Hutchinson & Ross^dc1977 | Kent, Earle | *Musical acoustics | 1977 | NO | colloc | |
320884 | 102 | ST | Hanen, Martha | The *Chansonnier El Escorial, Ms. IV a.24 | 0000 | NO | colloc | ||
320986 | 102 | ST | ^aMetuchen^cThe Scarecrow Press^d1975 | Hixon, Donald | *Women in music | 1975 | NO | colloc | |
320987 | 102 | ST | ^aMetuchen^cThe Scarecrow Press^d1974 | Winick, Steven | *Rhythm | 1974 | NO | colloc | |
321228 | 102 | ST | ^aNew York^cDa Capo Press^d1970 | Stainer, John | *The music of the Bible | 1970 | NO | colloc | |
321761 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^h1977 | Gaffurio, Franchino | *De harmonia musicorum instrumentorum opus | 1977 | NO | colloc | |
321762 | 102 | ST | ^a[Usa]^cAmerican Institute of musicology^aHänssler-Verlag^cNeuhausen-Stuttgart^d1978 | Bradshaw, Murray | The *falsobordone | 1978 | NO | colloc | |
323498 | 102 | ST | ^aAnn Arbor^cUMI^d1974 | Sutton, Everett | The *solo vocal works of Nicola Porpora | 1974 | NO | colloc | |
323666 | 102 | ST | ^aAnn Arbor (Michigan)^cUMI Research Press^dc1981 | Wade, Rachel | The *keyboard concertos of Carl Philipp Emanuel Bach | 1981 | NO | colloc | |
324104 | 102 | ST | ^aNew York^cDa Capo Press^d1972 | White, Eric | The *rise of English opera | 1972 | NO | colloc | |
324107 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1974 | Demuth, Norman | *Vincent d'Indy (1851-1931) | 1974 | NO | colloc | |
324108 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1977 | Myers, Rollo | *Ravel | 1977 | NO | colloc | |
324109 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^dc1955 | Barricelli, Jean-Pierre | *Ernest Chausson | 1955 | NO | colloc | |
324364 | 102 | ST | ^a[Ann Arbor (Michigan)]^cUMI Research Press^dc1979 | Price, Curtis | *Music in the restoration theatre | 1979 | NO | colloc | |
324366 | 102 | ST | ^a[USA]^cU.M.I. Research Press^dc1979 | Lessem, Alan | *Music and text in the works of Arnold Schönberg | 1979 | NO | colloc | |
324367 | 102 | ST | ^aAnn Arbor (Michigan)^cUMI Research Press^dc1979 | Pendle, Karin | *Eugène Scribe and French opera of the nineteenth century | 1979 | NO | colloc | |
324398 | 102 | ST | ^aPrinceton^cPrinceton University Press^dc1995 | Forte, Allen | The *American popular ballad of the Golden era | 1995 | NO | colloc | |
32444 | 102 | ST | ^aEnglewood Cliffs^cPrentice-Hall^dc1939 | Jeppesen, Knud | *Counterpoint | 1939 | NO | colloc | |
324517 | 102 | ST | ^aNew York^aSan Diego^aChicago^cHarcourt Brace Jovanovich, Inc.^dc1978 | Donington, Robert | The *opera | 1978 | NO | colloc | |
32724 | 102 | ST | ^aRidgewood, New Jersey^cThe Gregg Press Incorporated^d1966 | Matteis, Nicola | *Ayrs for the violin, Preludes Allamands Sarabands Courantes Gigues Divisions and double Compositions fitted to all hands and capacities | 1966 | NO | colloc | |
3288 | 102 | ST | ^aNew York^cKraus reprint^d1970 | Scotus Eriugena, Johannes | *Annotationes in Marcianum | 1970 | NO | colloc | |
328884 | 200 | ST | ^aAnn Arbor^cUMI^d1973 | Hollis, George | *Ferdinando Giuseppe Bertoni , (1725-1813) | 1973 | NO | colloc | |
329280 | 102 | ST | ^aDetroit^cInformation Coordinators^d1968 | Hansell, Sven | *Works for solo voice of Johann Adolph Hasse | 1968 | NO | colloc | |
329281 | 102 | ST | ^aDetroit^cInformation Coordinators^d1965 | Blum, Fred | *Jean Sibelius | 1965 | NO | colloc | |
329282 | 102 | ST | ^aDetroit^cInformation Coordinators^d1970 | Weichlein, William | *A checklist of american music periodicals | 1970 | NO | colloc | |
329283 | 102 | ST | ^aDetroit^cInformation Coordinators^d1975 | Mixter, Keith | *General Bibliography for Music Research | 1975 | NO | colloc | |
329285 | 102 | ST | ^aDetroit^cInformation Coordinators^d1974 | Abravanel, Claude | *Claude Debussy | 1974 | NO | colloc | |
333477 | 102 | ST | ^aProvo (Utah)^cBrigham Young University Press^dc1979 | Bonini, Severo | *Discorsi e regole | 1979 | NO | colloc | |
333479 | 102 | ST | ^aMinneapolis^cUniversity of Minnesota Press^dc1979 | Evans, Peter | The *music of Benjamin Britten | 1979 | NO | colloc | |
333492 | 102 | ST | ^aBoston^cEditions Orphée^dc1981 | Ophee, Matanya | *Luigi Boccherini's guitar quintets | 1981 | NO | colloc | |
333556 | 102 | ST | ^aU.S.A.^cThe Brass Press^d1978 | Fantini, Girolamo <fl. 1535> | *Modo per imparare a sonare di tromba | 1978 | NO | colloc | |
333558 | 102 | ST | ^aWestport (Connecticut)^aLondon^cGreenwood Press^dc1981 | Meggett, Joan | *Keyboard music by women composers | 1981 | NO | colloc | |
333561 | 102 | ST | ^aWestport^eConnecticut^h1978 | Johnson, Harold | *Jean Sibelius | 1978 | NO | colloc | |
333563 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1970 | Saint-Saëns, Camille | *Outspoken essays on music | 1970 | NO | colloc | |
333565 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1971 | Liszt, Franz | The *letters of Franz Liszt to Marie zu Sayn-Wittgenstein | 1971 | NO | colloc | |
333566 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1976 | Jankélévitch, Vladimir | *Ravel | 1976 | NO | colloc | |
333567 | 102 | ST | ^aWestport (Connecticut)^aLondon^cGreenwood Press^dc1981 | [al ]Faruqi, Lois | An *annotated glossary of Arabic musical terms | 1981 | NO | colloc | |
333571 | 102 | ST | ^aBerkeley^aLos Angeles^aLondon^cUniversity of California Press^dc1979 | Grout, Donald Jay | *Alessandro Scarlatti | 1979 | NO | colloc | |
333595 | 102 | ST | ^aNew York^cCa Capo Press^d1982 | Reich, Willi | The *life and work of Alban Berg | 1982 | NO | colloc | |
333598 | 102 | ST | ^aNew York^cDa Capo Press^d1980 | Lenz, Wilhelm : von | *Beethoven et ses trois styles | 1980 | NO | colloc | |
333602 | 102 | ST | ^aAnn Arbor (Michigan)^cU.M.I. Research Press^dc1981 | Cowart, Georgia | The *origins of modern musical criticism | 1981 | NO | colloc | |
333603 | 102 | ST | ^aAnn Arbor (Michigan)^cU.M.I. Research Press^dc1981 | Hosler, Bellamy | *Changing aesthetic views of instrumental music in 18th-century Germany | 1981 | NO | colloc | |
333623 | 102 | ST | ^aAnn Arbor (Michigan)^cUMI^dc1981 | Hudson, Richard | *Passacaglio and Ciaccona | 1981 | NO | colloc | |
333624 | 102 | ST | ^aMichigan^cU.M.I.^dc1981 | Cusick, Suzanne G. | *Valerio Dorico | 1981 | NO | colloc | |
333626 | 102 | ST | ^aAnn Arbor (Michigan)^cUMI Research Press^dc1981 | Freeman, Robert | *Opera without drama | 1981 | NO | colloc | |
333763 | 102 | ST | ^aCollegeville^cSt. John's University Press^d1980 | Jeffery, Peter | *A bibliography for medieval and renaissance musical manuscript research | 1980 | NO | colloc | |
333854 | 102 | ST | ^aPrinceton (New Jersey)^cPrinceton University Press^dc1981 | Cohen, Albert | *Music in the French Royal Academy of Sciences | 1981 | NO | colloc | |
334298 | 102 | ST | ^aLewisburg^cBucknell University Press^aLondon^aToronto^cAssociated University Presses^dc1989 | *On the wires of our nerves | 1989 | NO | colloc | ||
334384 | 102 | ST | ^aYale^cYale University^d1959 | Taylor Lee, Patricia | The *keyboard style of Alessandro Scarlatti | 1959 | NO | colloc | |
334603 | 102 | ST | ^aDetroit^cInformation Coordinators^d1980 | Cipolla, Wilma | A *catalog of the works of Arthur Foote | 1980 | NO | colloc | |
334677 | 102 | ST | ^aColorado Springs (Colorado)^cThe Colorado College Music Press^dc1980 | Kromer, Marcin | *De musica figurata [liber posterior] | 1980 | NO | colloc | |
334679 | 102 | ST | ^aColorado Springs (Colorado)^cThe Colorado College Music Press^d1981 | Rossetti, Biagio | *Libellus de rudimentis musices (Verona, 1529) | 1981 | NO | colloc | |
3349 | 102 | ST | ^aNew York^cAMS Press^d1976 | Tillyard, Henry Julius Wetenhall | *Byzantine music and hymnography | 1976 | NO | colloc | |
3350 | 102 | ST | ^aBerkeley [etc .]^cUniversity of California Press^dc1973 | Hagopian, Viola L. | *Italian Ars nova music | 1973 | NO | colloc | |
335084 | 102 | ST | ^as.l.^cPendragon Press^dc1987 | Hensel, Fanny | The *letters of Fanny Hensel to Felix Mendelssohn | 1987 | NO | colloc | |
3351 | 102 | ST | ^aBerkeley [etc.]^cUniversity of California Press^dc1977 | Crocker, Richard L. | The *early medieval sequence | 1977 | NO | colloc | |
335284 | 102 | ST | ^aAnn Arbor^cUMI Research Press^dc1986 | Lefferts, Peter M. | The *motet in England in the fourteenth century | 1986 | NO | colloc | |
335355 | 102 | ST | ^aNew York^aLondon^cGarland Publishing^d1981 | Skei, Allen | *Heinrich Schütz | 1981 | NO | colloc | |
335675 | 102 | ST | ^aMetuchen^aLondon^cThe Scarecrow Press^d1979 | Diamond, Harold | *Music criticism | 1979 | NO | colloc | |
335676 | 102 | ST | ^aWashington^cU.S.Government Printed^d1976 | Mendelssohn-Bartholdy, Felix | *Octet for Strings Opus 20 | 1976 | NO | colloc | |
336713 | 102 | ST | ^aNew York^aLondon^cLongman^dc1983 | Czerny, Carl | *A systematic introduction to improvisation on the pianoforte | 1983 | NO | colloc | |
337384 | 102 | ST | ^aNew York^cDa Capo Press^d1979 | Stolba, K. Marie | A *history of the violin étude to about 1800 | 1979 | NO | colloc | |
33745 | 102 | ST | ^aNew York^cDa Capo Press^d1966 | Bachmann, Alberto | An *encyclopedia of the violin | 1966 | NO | colloc | |
337484 | 102 | ST | ^aNew York^cDa Capo Press^aBuren^cFrits Knuf^dc1968 | Ellis, Alexander J. | *Studies in the history of musical pitch | 1968 | NO | colloc | |
337990 | 200 | ST | ^aAnn Arbor^cUMI^d1992 | Aguirre, M. Yolanda | A *study of early polyphony | 1992 | NO | colloc | |
338090 | 200 | ST | ^aAnn Arbor^cUMI^d1991 | Curtis, Liane Renée | *Music manuscripts and their production in fifteenth-century Cambrai | 1991 | NO | colloc | |
338390 | 200 | ST | ^aAnn Arbor^cUMI^d1992 | Pinegar, Sandra | *Textual and conceptual relationships among theoretical writings on measurable music of the thirteenth and early fourteenth centuries | 1992 | NO | colloc | |
3386 | 102 | ST | ^a[s.l.]^cAmerican philological association^d1944 | Dunchad | *Dunchad glossae in Martianum | 1944 | NO | colloc | |
3388 | 102 | ST | ^aEnglewood Cliffs, New Jersey^cPrentice-Hall, c1974^dc1967 | Salzman, Eric | *Twentieth-Century music | 1974 | NO | colloc | |
3389 | 102 | ST | ^aEnglewood Cliffs, New Jersey^cPrentice-Hall^dc1976 | Brown, Howard Mayer | *Music in the Renaissance | 1976 | NO | colloc | |
3390 | 102 | ST | ^aEnglewood Cliffs, New Jersey^cPrentice-Hall^dc1968 | Palisca, Claude V. | *Baroque music | 1968 | NO | colloc | |
3394 | 102 | ST | ^aEnglewood Cliffs^cPrentice-Hall^dc1975 | Berkowitz, Sol | *Improvisation through keyboard harmony | 1975 | NO | colloc | |
339923 | 102 | ST | ^aNew York^cDa Capo Press^d1982 | Geiringer, Karl | *Brahms | 1982 | NO | colloc | |
3401 | 102 | ST | ^aAnn Arbor^cUMI^d1977 | Mays, Kenneth Robert | *Harmonic style in the madrigals of Claudio Monteverdi | 1977 | NO | colloc | |
340283 | 102 | ST | ^aChapel Hill^cUniversity of North Carolina Press^dc1979 | Maniates, Maria | *Mannerism in Italian music and culture, 1530 - 1630 | 1979 | NO | colloc | |
3409 | 102 | ST | ^aNew York^cDa capo press^d1969 | Levarie, Siegmund | *Guillaume de Machaut | 1969 | NO | colloc | |
341396 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1983 | Burzio, Nicolò | *Musices opusculum | 1983 | NO | colloc | |
341397 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^h1983 | Freig, Johannes | *Paedagogus (1582) | 1983 | NO | colloc | |
341398 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^h1985 | Galilei, Vincenzo | *Fronimo | 1985 | NO | colloc | |
341399 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^h1985 | Yudkin, Jeremy | The *music treatise of anonymus IV | 1985 | NO | colloc | |
341998 | 102 | ST | ^aBerkeley [etc.]^cUniversity of California Press^dc1995 | Reynolds, Christopher | *Papal patronage and the music of St. Peter's, 1380-1513 | 1995 | NO | colloc | |
342577 | 102 | ST | ^a[Usa]^cAmerican Institute of musicology^aNeuhausen^eStuttgart^gHänssler^h1986 | Harrán, Don | *Word-tone relations in musical thought | 1986 | NO | colloc | |
342698 | 102 | ST | ^aEvanston (Ill.)^cNorthwestern University Press^d1998 | Karp, Theodore | *Aspects of orality and formularity in Gregorian chant | 1998 | NO | colloc | |
343498 | 102 | ST | ^aAnn Arbor^cUMI^d1995 | Blachly, Alexander | *Mensuration and tempo in 15th-century music | 1995 | NO | colloc | |
343598 | 102 | ST | ^aAnn Arbor^cUMI^d2001 | Cyrus, Cynthia | *Polyphonic borrowings and the Florentine chanson reworking, 1475-1515 | 2001 | NO | colloc | |
3443 | 102 | ST | ^aNew York^cBroude Brothers^dstampa 1967 | Gasparini, Francesco | L' *armonico pratico al cimbalo | 1967 | NO | colloc | |
344708 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^d1983 | Toorn, Pieter C. : Van Den | The *music of Igor Stravinsky | 1983 | NO | colloc | |
345002 | 102 | ST | ^aNew York^cPendragon Press^dc1984 | Charteris, Richard | *Alfonso Ferrabosco the elder (1543 - 1588) | 1984 | NO | colloc | |
345364 | 102 | ST | ^aDetroit^cInformation coordinators^d1985 | Green, Richard | *Index to composer bibliographies | 1985 | NO | colloc | |
347302 | 102 | ST | ^aNew York^aLondon^cGarland^d1984 | Cook, Susan C. | *Virtuose in Italy | 1984 | NO | colloc | |
348491 | 102 | ST | ^aMichigan^cU.M.I., c1987^d1984 | Johnson, Joyce | *Roman Oratorio, 1770 - 1800 | 1987 | NO | colloc | |
348684 | 200 | ST | ^aAnn Arbor^cUMI^d1970 | Termini, Olga | *Carlo Francesco Pollarolo | 1970 | NO | colloc | |
348884 | 200 | ST | ^aAnn Arbor^cUMI^d1986 | Humber, Ingrid | An *analysis with interpretative suggestions of seven keyboard works of Alessandro Scarlatti | 1986 | NO | colloc | |
349073 | 102 | ST | ^aAnn Arbor (Michigan)^c[UMI Research Press]^d1964 | Lee, Barbara | *Giovanni Maria Lanfranco's "Scintille di musica" and its relation to 16th-century music theory | 1964 | NO | colloc | |
349801 | 102 | ST | ^aAnn Arbor (Michigan)^cUMI Research Press^dc1985 | Herz, Gerhard | *Essays on J. S. Bach | 1985 | NO | colloc | |
3518 | 102 | ST | ^aNew York^cDa Capo Press^d1965 | Carse, Adam | *Musical wind instruments | 1965 | NO | colloc | |
353070 | 102 | ST | ^aBrookline (Massachusetts)^cHoly Transfiguration Monastery^d1986 | *Selected Byzantine hymns | 1986 | NO | colloc | ||
354684 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Bailey, Terence | The *cerimonies and chants of the procession of the western church with special attention to the practice of the cathedral church of Salisbury | 1968 | NO | colloc | |
35541 | 102 | ST | ^aNew York^cBroude Brothers Limited^d1968 | Hopkinson, Cecil | A *bibliography of the works of Giacomo Puccini | 1968 | NO | colloc | |
357116 | 102 | ST | ^aMichigan^cU.M.I.^dc1990 | *Berlinische musikalische Zeitung | 1990 | NO | colloc | ||
357884 | 102 | ST | Lovan, Richard | The *music in the Manuscript Florence, Fondo Magliabechiano XIX, 112 bis | 0000 | NO | colloc | ||
357984 | 102 | ST | Piette, Ruth | *Florence, Biblioteca Nazionale Centrale, Magliabechi XIX.176 | 0000 | NO | colloc | ||
358258 | 102 | ST | ^aMichigan^cU.M.I.^dc1990 | *Eutonia | 1990 | NO | colloc | ||
360598 | 102 | ST | ^aAnn Arbor^cUMI^d2001 | Irving, Howard | The *piano trio in London from 1791 to 1800 | 2001 | NO | colloc | |
360698 | 102 | ST | ^aAnn Arbor^cUMI^d2001 | Kidd, Ronald | The *sonata for keyboard with violin accompaniment in England | 2001 | NO | colloc | |
360798 | 102 | ST | ^aAnn Arbor^cUMI^d2001 | Komlós, Katalin | The *Viennese keyboard trio in the 1780s | 2001 | NO | colloc | |
366753 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^h1993 | Göllner, Marie | The *manuscript Cod. lat. 5539 of the Bavarian State Library | 1993 | NO | colloc | |
367585 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^h1993 | Ramos de Pareja, Bartolomé | *Musica practica | 1993 | NO | colloc | |
3682 | 102 | ST | ^aNew York^cBurt Franklin^d1968 | Pillet, Alfred | *Bibliographie der Troubadours | 1968 | NO | colloc | |
369857 | 102 | ST | ^aMichigan^cU.M.I.^dc1993 | La *Musica popolare | 1993 | NO | colloc | ||
3715 | 102 | ST | ^aNew York^cBurt Franklin^d1972 | Oeconomos, Lysimaque | La *vie religieuse dans l'empire byzantin au temps des Comnènes et des Anges | 1972 | NO | colloc | |
371879 | 102 | ST | ^aAnn Arbor^aAmsterdam^cU.M.I.^cKoninklijke Vereniging voor Nederlandse Muziekgeschiedenis^dc1994 | *Nederlandsch Muzikaal Tijdschrift 1839-1848 | 1994 | NO | colloc | ||
372184 | 102 | ST | ^aWashington^cThe American University^d1972 | Pullmann, David E. | A *catalogue of the keyboard sonatas of Baldassarre Galuppi (1706-1785) | 1972 | NO | colloc | |
3742 | 200 | ST | ^aAnn Arbor^cUMI^d1955 | Rogers, Helen | The *development of a concept of modulation in theory from the 16th to the early 18th century | 1955 | NO | colloc | |
376384 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | Marley, Marie | The *sacred cantatas of Giovanni Battista Sammartini | 1978 | NO | colloc | |
376484 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Downie, Margaret | The *rebec | 1982 | NO | colloc | |
376584 | 200 | ST | ^aAnn Arbor^cUMI^d1988 | Freeman, Daniel | The *opera theater of Count Franz Anton von Sporck in Prague | 1988 | NO | colloc | |
379884 | 102 | ST | Brown Miller, Caroline | *Chiavette | 0000 | NO | colloc | ||
381778 | 102 | ST | ^aAnn Arbor^cU.M.I.^dc1996 | *Archivio Musicale 1882-1884 | 1996 | NO | colloc | ||
381779 | 102 | ST | ^aAnn Arbor^cU.M.I.^dc1996 | A *Arte Musical 1873-1875 | 1996 | NO | colloc | ||
381780 | 102 | ST | ^aAnn Arbor^cU.M.I.^dc1996 | *Nordisk musik-tidende 1880-1892 | 1996 | NO | colloc | ||
382390 | 102 | ST | ^aAnn Arbor^cUMI^dstampa 1994 | Collins, Michael Bruce | The *performance of coloration, sesquialtera, and hemiolia | 1994 | NO | colloc | |
383390 | 200 | ST | ^aAnn Arbor^cUMI^d1985 | Larson, Keith Austin | The *unaccompanied Madrigal in Naples from 1536 to 1654 | 1985 | NO | colloc | |
386090 | 200 | ST | ^aAnn Arbor^cUMI^d1993 | Kendrick, Robert L. | *Genres, generations and gender | 1993 | NO | colloc | |
386190 | 200 | ST | ^aAnn Arbor^cUMI^d1985 | Johnstone, John Gearey | The *offertory trope | 1985 | NO | colloc | |
386290 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Vantine, Bruce | *Four twentieth-century masses | 1982 | NO | colloc | |
386390 | 200 | ST | ^aAnn Arbor^cUMI^d1953 | Cooley, William Julius Jr. | *Music in the life and works of Franz Grillparzer | 1953 | NO | colloc | |
386490 | 200 | ST | ^aAnn Arbor^cUMI^d1958 | Neumarkt, Paul | *Franz Grillparzer's contribution to music with special consideration of his "Musikalischer Nachlass" | 1958 | NO | colloc | |
389819 | 102 | ST | ^aNew York^cOxford University Press^d1997 | Owens, Jessie Ann | *Composers at work. The craft of musical composition 1450-1600 | 1997 | NO | colloc | |
390967 | 102 | ST | ^aNew York, London^cGarland^d1995 | Rees, Owen | *Polyphony in Portugal, c.1530-c.1620. Sources from the Monastery of Santa Cruz, Coimbra | 1995 | NO | colloc | |
390968 | 102 | ST | ^aNew York, London^cGarland^d1995 | Kirkman, Andrew | The *three-voice mass in the later fifteenth and early sixteenth centuries. Style, distribution and case studies | 1995 | NO | colloc | |
391784 | 200 | ST | ^aAnn Arbor^cUMI^d1956 | McClure, Theron | A *reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth-century | 1956 | NO | colloc | |
391884 | 200 | ST | ^aAnn Arbor^cUMI^d1972 | Minniear, John | *Marionette opera | 1972 | NO | colloc | |
391984 | 200 | ST | ^aAnn Arbor^cUMI^d1982 | Hunter, Mary | *Haydn's aria form | 1982 | NO | colloc | |
392055 | 102 | ST | ^aPrinceton^cPrinceton University Press^dc1994 | Crook, David | *Orlando di Lasso's imitation Magnificats for Counter-Reformation Munich | 1994 | NO | colloc | |
392056 | 102 | ST | ^aBerkeley^cUniversity of California press^dc1995 | Feldman, Martha | *City culture and the madrigal at Venice | 1995 | NO | colloc | |
392084 | 200 | ST | ^aAnn Arbor^cUMI^d1983 | Monson, Dale | *Recitativo semplice in the "opere serie" of G.B. Pergolesi and his contemporaries | 1983 | NO | colloc | |
394984 | 200 | ST | ^aAnn Arbor^cUMI^d1964 | Watts, Sanford | The *stylistic features of the bolognese concerto | 1964 | NO | colloc | |
395054 | 102 | ST | ^aNew York^cSchirmer books^dc1992 | Chafe, Eric Thomas | *Monteverdi's tonal language | 1992 | NO | colloc | |
395084 | 200 | ST | ^aAnn Arbor^cUMI^d1979 | Pier, Fordyce | *Italian baroque instrumental music with solo trumpet from the Emilian school | 1979 | NO | colloc | |
395184 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Roderer, Charlotte | *Eleventh-century aquitanian chant studies relating to a local repertory of processional antiphons | 1971 | NO | colloc | |
404952 | 102 | ST | ^aDordrecht^cKluwer^dc1997 | Kersten, Fred | *Galileo and the "invention" of opera | 1997 | NO | colloc | |
404989 | 102 | ST | ^aNew York^cSchirmer books^dc1996 | Fink, Michael | *Inside the music industry | 1996 | NO | colloc | |
405542 | 102 | ST | ^aMineola^cDover^d1996 | Ravel, Maurice | L' *heure espagnole, in full score | 1996 | NO | colloc | |
410084 | 102 | ST | ^aWestport (Connecticut)^aLondon^cGreenwood Press^d1985 | Cowden, Robert H. | *Concert and opera singers | 1985 | NO | colloc | |
412284 | 102 | ST | ^aNew York^cPendragon Press^dc1985 | McCutcheon, Meredith Alice | *Guitar and vihuela | 1985 | NO | colloc | |
416484 | 200 | ST | ^aAnn Arbor^cUMI^d1967 | Cowling, Elizabeth | The *Italian Sonata literature for the violoncello in the Baroque Era | 1967 | NO | colloc | |
416584 | 200 | ST | ^aAnn Arbor^cUMI^d1968 | Norton, Richard | The *chamber music of Giuseppe Torelli | 1968 | NO | colloc | |
419984 | 102 | ST | ^aWashington^cSmithsonian Institution Press^d1976 | Enrico, Eugene | The *orchestra at San Petronio in the Baroque era | 1976 | NO | colloc | |
423784 | 102 | ST | ^aChapel Hill^cThe University of Nort Carolina Press^dc1969 | Newman, William S. | The *sonata since Beethoven | 1969 | NO | colloc | |
4255 | 102 | ST | ^aCambridge (Massachusetts)^cHarvard University Press^d1967 | Brown, Howard Mayer | *Instrumental music printed before 1600 | 1967 | NO | colloc | |
4329 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Falck, Myron | *Seventeenth-century contrapuntal theory in Germany ... | 1966 | NO | colloc | |
4338 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d1970] | Scott, Charles Kennedy | *Madrigal singing | 1970 | NO | colloc | |
4417 | 102 | ST | ^aWestport (Connecticut)^cGreenwood Press^d[1976] | Galpin, Francis William | A *textbook of European musical instruments | 1976 | NO | colloc | |
4440 | 102 | ST | ^aHouston (Texas)^cWilliam Marsh Rice University^d1978 | Kurtzman, Jeffrey G. | *Essays on the Monteverdi mass and vespers of 1610 | 1978 | NO | colloc | |
446290 | 200 | ST | ^aAnn Arbor^cUMI^dc1983 | Schaefer, Mary Martina | *Twelfth century latin commentaries on the Mass: christological and ecclesiological dimensions | 1983 | NO | colloc | |
452490 | 200 | ST | ^aAnn Arbor^cUMI^d1993 | Beck, Nora Maria | *Singing in the garden | 1993 | NO | colloc | |
452590 | 200 | ST | ^aAnn Arbor^cUMI^d1992 | Armstrong, Robin Elise | *Courtly collectors | 1992 | NO | colloc | |
456690 | 102 | ST | ^aIthaca^aLondon^cCornell University Press^dc1992 | Moyer, Ann E. | *Musica scientia | 1992 | NO | colloc | |
462590 | 102 | ST | ^aBloomington^aIndianapolis^cIndiana University Press^dc1995 | Jones, Sterling Scott | The *lira da braccio | 1995 | NO | colloc | |
4639 | 102 | ST | ^aNew York^cColumbia University Press^d1977 | Capella, Martianus Minneus Felix | *Martianus Capella and the seven liberal arts | 1977 | NO | colloc | |
467190 | 102 | ST | ^aBerkeley [etc.]^cUniversity of California Press^dc1996 | Somfai, László | *Béla Bartók | 1996 | NO | colloc | |
472490 | 102 | ST | ^aNew York^aLondon^cGarland^d1996 | Czepiel, Tomasz | *Music at the Royal court and chapel in Poland, c. 1543-1600 | 1996 | NO | colloc | |
472690 | 102 | ST | ^aCambridge^cCambridge University Press^dc1992 | Dunsby, Jonathan | *Schoenberg | 1992 | NO | colloc | |
472790 | 102 | ST | ^aCambridge^cCambridge University Press^dc1995 | Rosen, David | *Verdi | 1995 | NO | colloc | |
4882 | 102 | ST | ^aColorado Springs^cColorado College Music Press^d1977 | Alexander de Villa Dei | *Carmen de musica cum glossis | 1977 | NO | colloc | |
4916 | 102 | ST | ^aMadison^aMilwaukee^aLondon^cUniversity of Wisconsin Press^d1969 | Gaffurio, Franchino | The *Practica musicae of Franchinus Gafurius | 1969 | NO | colloc | |
492090 | 102 | ST | ^aPrinceton^cStephen W. Fillo^d1987 | Elgar, Raymond | *Introduction to the double bass | 1987 | NO | colloc | |
492190 | 102 | ST | ^aPrinceton^cStephen W. Fillo^d1986 | Elgar, Raymond | *Looking at the double bass | 1986 | NO | colloc | |
492290 | 102 | ST | ^aPrinceton^cStephen W. Fillo^d1987 | Elgar, Raymond | *More about the double bass | 1987 | NO | colloc | |
492990 | 102 | ST | ^aNeptune City (N.J.)^cPaganiniana publications^d1985 | Français, Jacques | The *Dr. Herbert Axelrod Stradivari Quartet | 1985 | NO | colloc | |
509990 | 102 | ST | ^aNew York^aLondon^cGarland^d1995 | White, John Alexander | *Theories of musical texture in western history | 1995 | NO | colloc | |
510090 | 102 | ST | ^aNew York^aLondon^cGarland^d1995 | Earp, Lawrence | *Guillaume de Machaut | 1995 | NO | colloc | |
510890 | 102 | ST | ^a[S.l.]^cAmerican Institute of Musicology^a[Neuhausen]^cHänssler^d[198-?] | Rosa Barezzani, Maria Teresa | *Modale und tonale Kadenzen im weltlichen Repertoire von TuB | NO | colloc | ||
511090 | 102 | ST | ^a[S.l.]^cAmerican Institute of Musicology^a[Neuhausen]^cHänssler^d[198-?] | Rosa Barezzani, Maria Teresa | The *notation of the manuscript Torino J.II.9 | NO | colloc | ||
518090 | 102 | ST | ^aCambridge^cCambridge University Press^dc1993 | Hailey, Christopher | *Franz Schreker, 1878-1934 | 1993 | NO | colloc | |
525290 | 102 | ST | ^aLondon^cThe Plainsong and mediaeval music society^dc1988 | Everist, Mark | *French 13th-century polyphony in the British library | 1988 | NO | colloc | |
5257 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Constant, John | *Renaissance manuscripts of polyphony at the Cathedral of Padua | 1976 | NO | colloc | |
526390 | 102 | ST | ^aNew Haven^aLondon^cYale University Press^dc1995 | Douglass, Fenner | The *language of the classical French organ | 1995 | NO | colloc | |
528690 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Bashour, Frederick | A *model for the analysis of structural levels and tonal movement in compositions of the fifteenth century | 1997 | NO | colloc | |
528790 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Beebe, Ellen S. | *Mode, structure, and text expression in the motets of Jacobus Clemens non Papa | 1997 | NO | colloc | |
528890 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Carruth, Carroll | *Anthoine de Bertrand | 1997 | NO | colloc | |
528990 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Ingram, Sonja | The *polyphonic «Salve regina» | 1997 | NO | colloc | |
550190 | 102 | ST | ^aAnn Arbor^cUMI^dc1997 | Stapert, Calvin | The *eleventh fascicle of Wolfenbüttel 628 | 1997 | NO | colloc | |
555790 | 102 | ST | ^aNew York^aLondon^cGarland^d1996 | Plumley, Yolanda | The *grammar of 14th century melody | 1996 | NO | colloc | |
556290 | 102 | ST | ^aBloomington^aIndianapolis^cIndiana University Press^dc1994 | Tarasti, Eero | A *theory of musical semiotics | 1994 | NO | colloc | |
556690 | 102 | ST | ^aWestport^aLondon^cGreenwood Press^dc1986 | Gangwere, Blanche | *Music history from the late roman through the Gotic periods, 313-1425 | 1986 | NO | colloc | |
567690 | 102 | ST | ^aNew York^aOxford^cOxford University Press^d1996 | Kelly, Thomas | The *Exultet in southern Italy | 1996 | NO | colloc | |
570090 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Metzinger, Joseph | The *liturgical function of the entrance song | 1997 | NO | colloc | |
570290 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Kinney, Gordon | The *musical literature for unaccompanied violoncello. Volume 1. History of the violoncello and analysis of XVIIth-century music for violoncello solo. Volume 2. Stylistic analysis of music for violoncello solo from the works of J.S. Bach to 1960. Volume 3. Critical editions | 1997 | NO | colloc | |
5920 | 102 | ST | ^aNew York^cRobbins Musik Corporation^dc1927 | Wiedoeft, Rudy | *Valse vanite | 1927 | NO | colloc | |
5953 | 102 | ST | ^aAnn Arbor^cUMI^d1980 | Banchieri, Adriano | *Cartella musicale nel canto figurato fermo, & contrapunto | 1980 | NO | colloc | |
5965 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Wexler, Richard | The *complete works of Johannes Prioris | 1974 | NO | colloc | |
5967 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Prizer, William F. | *Marchetto Cara and the North Italian frottola | 1974 | NO | colloc | |
5968 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Han Kuo-Huang | The *use of the Marian antiphons in Renaissance motets | 1974 | NO | colloc | |
5969 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Radcliffe, Peter | A *critical edition of the poetry and the music of Gontier de Soignies | 1974 | NO | colloc | |
5970 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Quereau, Quentin | *Palestrina and the motetti del Fiore of Jacques Moderne | 1975 | NO | colloc | |
5971 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Powley, Edward H. | Il *trionfo di Dori | 1975 | NO | colloc | |
5973 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Kreider, John | The *masses for five and six voices by Pierre de la Rue | 1975 | NO | colloc | |
5974 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Miller, Ronald | The *musical works of Marbriano De Orto | 1975 | NO | colloc | |
5975 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Diehl, George | The *partbooks of a renaissance merchant | 1975 | NO | colloc | |
5976 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Reynolds, Robert | *Evolution of notational practices in manuscripts between 1400-1450 | 1975 | NO | colloc | |
5977 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Nouryeh, Abdil M. | The *Andalusian and troubadour love lyric | 1975 | NO | colloc | |
5979 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Jackson, John <1881-1952> | "Il *terzo libro delle divine lodi musicali" di Gio. Battista Riccio | 1974 | NO | colloc | |
5980 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Eubank, Lee | *Spanish intabulation in the sixteenth-century | 1975 | NO | colloc | |
598090 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^d1991 | Hägg, Tomas | The *novel in antiquity | 1991 | NO | colloc | |
5984 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Dunn, Harold | An *aesthetic approach to the study of medieval music designed for the community college music student | 1975 | NO | colloc | |
5986 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Tolkoff, Audrey | The *Stuttgart operas of Niccolò Jommelli | 1975 | NO | colloc | |
5987 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | MacGee, Timothy | The *liturgical origin and early history of the "Quem quaeritis" dialogue | 1975 | NO | colloc | |
5989 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Soehnlein, Edward | *Diruta on the art of keyboard-playing | 1975 | NO | colloc | |
5991 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Joyce, John | The *monodies of Sigismondo D'India | 1975 | NO | colloc | |
5992 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | May, William | *Adriano Banchieri late sacred motets | 1975 | NO | colloc | |
5993 | 200 | ST | ^aAnn Arbor^cUMI^d1975 | Peterson, Don | *Tonal characteristics in the Kyrie and sanctus sections of twelfe L'homme armé masses | 1975 | NO | colloc | |
5996 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Hehrer, Karen | A *history of the virelai from its origin to the mid-fifteenth-century | 1976 | NO | colloc | |
6000 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Keitel, Elizabeth | *A cronology of the composition of Guillame de Machaut based on a study of fascicle-manuscript structure in the larger manuscripts | 1976 | NO | colloc | |
6001 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Sherr, Richard | The *papal chapel ca. 1492-1513 and its polyphonic sources | 1976 | NO | colloc | |
6002 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Egbert, Louard | The *"Opus Musicum" of Jacobus Gallus and performance problems of selected motets | 1976 | NO | colloc | |
6003 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Gillingham, Bryan | A *history of the polyphonic sequence in the Middle-Ages | 1976 | NO | colloc | |
6004 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Moreen, Robert | *Integration of text form and musical forms in Verdi's early operas | 1976 | NO | colloc | |
6005 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Gibson, James | The *place of the "Quem queritis in presepe" trope in medieval liturgical drama | 1976 | NO | colloc | |
6006 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Quint, Bernard | The *"Quem quaeritis" | 1976 | NO | colloc | |
6007 | 200 | ST | ^aAnn Arbor^cUMI^d1976 | Anderson, Gary | The *"Canzonetta" publications of Simone Verovio (1586-1595) | 1976 | NO | colloc | |
6008 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Hart, Josephine | *Musical structure in the thirteenth-century motet | 1977 | NO | colloc | |
6009 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Cox, Bobby | The *motets of Ms. Bologna, Civico Museo Bibliografico Musicale, Q 15 | 1977 | NO | colloc | |
6010 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Foster, Genette | The *iconology of musical instruments and musical performance in thirteenth-century French manuscript illuminations | 1977 | NO | colloc | |
6011 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Staley, James | *Claude Gervaise and the "Troisième livre" (1557), "Quart livre" (1550), "Cinquiesme livre" (1550) and "Sixième livre" (1555) of danceries published by Pierre Attaingnant | 1977 | NO | colloc | |
6012 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Wilson, David | The *motet of the late thirteenth-century and its relationship to the developements of rhythmic polyphony | 1977 | NO | colloc | |
6014 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Greenspan, Charlotte | The *operas of Vincenzo Bellini | 1977 | NO | colloc | |
6016 | 200 | ST | ^aAnn Arbor^cUMI^d1977 | Walton-Myers, Edith | *Antonio Salieri's "La cifra" | 1977 | NO | colloc | |
6020 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | Holladay, Richard | The *Musica Enchiriadis and Scolia Enchiriadis | 1978 | NO | colloc | |
6021 | 200 | ST | ^aAnn Arbor^cUMI^d1978 | Murphy, Joseph | The *Communions of the Old Roman Chant | 1978 | NO | colloc | |
604590 | 102 | ST | ^aNew York^cThe Haworth Press^dc1997 | *State songs of the United States | 1997 | NO | colloc | ||
605790 | 102 | ST | ^aAldershot [etc.]^cVariorum^d1997 | Page, Christopher | *Music and instruments of the Middle Ages | 1997 | NO | colloc | |
606090 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Whelan, Thomas | *Towards a history and theory of sketch studies | 1997 | NO | colloc | |
606190 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Dickinson, Alis | *Keyboard tablatures of the mid-seventeenth century in the Royal Library, Copenhagen | 1997 | NO | colloc | |
606690 | 102 | ST | ^aAnn Arbor^cUMI^d1997 | Spottswood, Louisa | *Accents in texted ligatures | 1997 | NO | colloc | |
6198 | 102 | ST | ^aAnn Arbor^dc1980 | Prizer, William F. | *Courtly pastimes | 1980 | NO | colloc | |
639590 | 102 | ST | ^aBerkeley [etc.]^cUniversity of California Press^dc1991 | Rosand, Ellen | *Opera in seventeenth-century Venice | 1991 | NO | colloc | |
6449 | 102 | ST | ^aNew York^cInstitute of mediaeval music^dc1964 | Jacobs, Charles | *Tempo notation in Renaissance Spain | 1964 | NO | colloc | |
6450 | 102 | ST | ^aNew York^cThe institute of mediaeval music^dstampa 1968 | Travis, James | *Miscellanea musica celtica | 1968 | NO | colloc | |
6451 | 102 | ST | ^aNew York^cInstitute of mediaeval music^dc1966 | Borroff, Edith | An *introduction to Elisabeth-Claude Jacquet de La Guerre | 1966 | NO | colloc | |
6452 | 102 | ST | ^aNew York^cThe Institute of Mediaeval Music^d196? | Moorefield, Arthur Albert | An *introduction to Johannes Galliculus | NO | colloc | ||
6453 | 102 | ST | ^aNew York^cThe Institute of Mediaeval Music^d1968 | Crane, Frederick | *Materials for the study of the fifteenth century basse danse | 1968 | NO | colloc | |
6455 | 102 | ST | ^aNew York^cThe Institute of Mediaeval Music^dc1970 | Orenstein, Herta | Die *Refrainformen im Chansonnier de l'Arsenal | 1970 | NO | colloc | |
6460 | 102 | ST | ^aNew York^cInstitute of mediaeval music^dc1966 | Mattfeld, Victor H. | *Georg Rhaw's publications for vespers | 1966 | NO | colloc | |
6510 | 102 | ST | ^aNew York^cThe Institute of Mediaeval Music^d1968 | Brockett, Clyde W. | *Antiphons, responsories and other chants of the Mozarabic rite | 1968 | NO | colloc | |
6539 | 102 | ST | ^aNew York^cW.W. Norton^dc1978 | Hoppin, Richard H. | *Medieval music | 1978 | NO | colloc | |
66753 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1974 | Johannes Aegidius : de Zamora | *Ars musica | 1974 | NO | colloc | |
66757 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^d1975 | Wilhelm : von Hirsau | *Musica | 1975 | NO | colloc | |
66759 | 102 | ST | ^a[USA]^cAmerican institute of musicology^d1977 | Amerus | *Practica artis musice | 1977 | NO | colloc | |
6824 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | McShane, Margaret Mary | The *music of the medieval liturgical drama | 1982 | NO | colloc | |
6825 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Steiner, Ruth | *Some monophonic Latin songs from the tenth fascicle of the manuscript Florence, Biblioteca Laurenziana, Pluteus 29.1 | 1982 | NO | colloc | |
6826 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Heard, Edmund Brooks | *Alia musica | 1982 | NO | colloc | |
6827 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Moore, Marie Dolores | The *Visitatio sepulchri of the medieval church | 1982 | NO | colloc | |
6829 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Hartzell, Karl Drew | The *musical repertoire at St. Albans, England, in the twelfth century | 1982 | NO | colloc | |
6830 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Bonge, Dale Jay | The *theory and practice of measure in medieval polyphony to the ars nova | 1982 | NO | colloc | |
6831 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Wilson, David Fenwick | The *motet of the late thirteenth century and its relationship to the development of rhythmic polyphony | 1982 | NO | colloc | |
6832 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Antley, Bob Richard | The *rhythm of medieval music | 1982 | NO | colloc | |
6834 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Fox, Bertha Mary | A *liturgical-repertorial study of Renaissance polyphony in Bartfa Mus. Pr. 6 (a-d), National Szechenyi library, Budapest | 1982 | NO | colloc | |
6835 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Cobin, Marian Willner | The *Aosta manuscript | 1982 | NO | colloc | |
6836 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Jordan, Peter Grey | The *liturgical music of medieval Britanny | 1982 | NO | colloc | |
6841 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Olexy, Ronald Thomas | The *responsories in the 11th century Aquitanian antiphonal | 1982 | NO | colloc | |
6842 | 102 | ST | ^aAnn Arbor^cUMI^d1982 | Harrison, Gregory Alexander | The *monophonic music in the "Roman de Fauvel" | 1982 | NO | colloc | |
69954 | 102 | ST | ^a[Usa]^cAmerican institute of musicology^aNeuhausen^eStuttgart^gHänssler-Verlag^hc1977 | Hothby, John | *De arte contrapuncti | 1977 | NO | colloc | |
7300 | 102 | ST | ^aAnn Arbor^cUMI^d1983 | Fellin, Eugene Constant | A *study of superius variants in the sources of Italian Trecento music | 1983 | NO | colloc | |
7301 | 102 | ST | ^aAnn Arbor^cUMI^d1983 | Orenstein, Arbie | The *vocal works of Maurice Ravel | 1983 | NO | colloc | |
7422 | 102 | ST | Mather-Pike, Dolores | La *donna vestita di sole | 0000 | NO | colloc | ||
7437 | 102 | ST | ^aAnn Arbor^cUMI^d1983 | Lee, Barbara | *Giovanni Maria Lanfranco's Scintille di musica and its relation to 16yh-century music theory | 1983 | NO | colloc | |
7590 | 102 | ST | ^aAnn Arbor^cUMI^d1983 | Young, Clyde William | The *keyboard tablatures of Bernhard Schmid, father and son | 1983 | NO | colloc | |
7663 | 102 | ST | ^aNew York^cDa Capo Press^d1983 | Zarlino, Gioseffo | The *art of counterpoint | 1983 | NO | colloc | |
9810042 | 102 | ST | ^aCambridge, Mass.^cHarvard University Press^d1951 | Davison, Archibald T. | *Bach and Handel | 1951 | NO | colloc | |
MFN019230 | 102 | ST | ^a[Colorado]^cColorado Springs^dc1980 | Bonaventura : da Brescia | *Brevis collectio artis Musicae, [tam ex determinationibus antiquorum quam modernorum magistrorum ad divinas laudes decantandas quae dicitur] «venturina» | 1980 | NO | colloc | |
MFN022847 | 102 | ST | ^aRochester^cHendrik van der Werf^d1984 | Werf, Hendrik | The *extant troubadour melodies | 1984 | NO | colloc | |
MFN022892 | 102 | ST | ^aNew York^aLondon^cGarland^d1990 | Henderson, Donald G. | *Carl Maria von Weber | 1990 | NO | colloc | |
MFN022893 | 102 | ST | ^aNew York^aLondon^cGarland^d1989 | Zimmerman, Franklin B. | *Henry Purcell | 1989 | NO | colloc | |
MFN022894 | 102 | ST | ^aNew York^aLondon^cGarland^d1991 | Picker, Martin | *Henricus Isaac | 1991 | NO | colloc | |
MFN022895 | 102 | ST | ^aNew York^aLondon^cGarland^d1989 | Langford, Jeffrey | *Hector Berlioz | 1989 | NO | colloc | |
MFN022896 | 102 | ST | ^aNew York^aLondon^cGarland^d1990 | Briscoe, James R. | *Claude Debussy | 1990 | NO | colloc | |
MFN022906 | 102 | ST | ^aNew York^aLondon^cGarland^d1989 | Teo, Kian-Seng | *Chromaticism in the English madrigal | 1989 | NO | colloc | |
MFN022913 | 102 | ST | ^aNew York^aLondon^cGarland^d1988 | Antokoletz, Elliott | *Béla Bartók | 1988 | NO | colloc | |
MFN022914 | 102 | ST | ^aNew York^aLondon^cGarland^d1988 | Seaman, Gerald R. | *Nikolai Andreevich Rimsky-Korsakov | 1988 | NO | colloc | |
MFN022916 | 102 | ST | ^aAnn Arbor^cUMI^d1994 | Soluri, James Joseph | The *Concerti ecclesiastici of Lodovico Grossi da Viadana | 1994 | NO | colloc | |
MFN022917 | 102 | ST | ^aAnn Arbor^cUMI^d1994 | Fouse, Donald Mahlon | The *sacred music of Gianmatteo Asola | 1994 | NO | colloc | |
MFN022918 | 102 | ST | ^aAnn Arbor^cUMI^d1994 | Johnson, Alvin Harold | The *liturgical music of Cipriano de Rore | 1994 | NO | colloc | |
MFN022944 | 102 | ST | ^aNew York^aLondon^cGarland^d1993 | Banks, Jon | *The motet as a formal type in Northern Italy | 1993 | NO | colloc | |
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MFN022971 | 102 | ST | ^aLondon^aBoston^cFaber Music^dc1988 | Dunsby, Jonathan | *Music analysis in theory and practice | 1988 | NO | colloc | |
MFN022973 | 102 | ST | ^aCambridge^aLondon^cHarvard University Press^d1992 | Lockwood, Lewis | *Beethoven | 1992 | NO | colloc | |
MFN022974 | 102 | ST | ^aStuyvesant^cPendragon Press^dc1993 | Buch, David J. | *Dance music from the Ballets de cour 1575-1651 | 1993 | NO | colloc | |
MFN022982 | 102 | ST | ^aPhiladelphia^cUniversity of Pennsylvania Press^dc1989 | Meyer, Leonard B. | *Style and music | 1989 | NO | colloc | |
MFN023036 | 102 | ST | ^aNew York^cNorton^dc1977 | Strunk, Oliver | *Essays on music in the Byzantine world | 1977 | NO | colloc | |
MFN023073 | 102 | ST | ^aNew York^aLondon^cGarland^d1995 | Coelho, Victor | The *manuscript sources of seventeenth-century Italian lute music | 1995 | NO | colloc | |
MFN023304 | 102 | ST | ^aStuyvesant^cPendragon Press^dc1989 | Morrow, Mary Sue | *Concert Life in Haydn's Vienna | 1989 | NO | colloc | |
MFN023338 | 102 | ST | ^aNew York^cPerformers'Editions^d[199?] | Vivaldi, Antonio | L' *estro armonico | NO | colloc | ||
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W01241984 | 200 | ST | ^aAnn Arbor^cUMI^d1974 | Lindgren, Lowell | A *bibliographical scrutiny of dramatic works set by Giovanni and his brother Antonio Maria Bononcini | 1974 | NO | colloc | |
W01260766 | 102 | ST | ^aNew York^cThe Robert Owen Lehman Foundation^d1967 | Brahms, Johannes | *Opus 24, opus 23, opus 18, opus 90 | 1967 | NO | colloc | |
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W01302484 | 102 | ST | ^aNew York^aLondon^aToronto^cOxford University Press^d1976 | Benade, Arthur | *Fundamentals of musical acoustics | 1976 | NO | colloc | |
W01412019 | 102 | ST | ^aNew Haven^aLondon^cYale university press^dc1995 | Gilbert, Steven E. | The *music of Gershwin | 1995 | NO | colloc | |
W01419390 | 102 | ST | ^aNew York^cDa Capo^d1986 | Bachmann, Alberto | *An encyclopedia of the violin | 1986 | NO | colloc | |
W01472890 | 102 | ST | ^aNew York^cColumbia University Press^dc1995 | Schönberg, Arnold | The *musical idea and the logic, technique, and art of its presentation | 1995 | NO | colloc | |
W02002184 | 200 | ST | ^aAnn Arbor^cUMI^d1971 | Gossett, Philip | The *operas of Rossini | 1971 | NO | colloc | |
W02104784 | 200 | ST | ^aAnn Arbor^cUMI^d1963 | Hersh, Donald | *Verdelot and the early madrigal | 1963 | NO | colloc | |
W02116790 | 102 | ST | ^aIrvine^cUniversity of California^dc1999 | *Thesaurus linguae graecae | 1999 | NO | colloc | ||
W02153191 | 102 | ST | ^aNew York^cUniversal Edition^dc1972 | Feldman, Morton | The *viola in my life (1) | 1972 | NO | colloc | |
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W0224584 | 102 | ST | ^aWashington^cLibrary of Congress^d1957 | *Classification | 1957 | NO | colloc | ||
W02260766 | 102 | ST | ^aNew York^cThe Robert Owen lehman Foundation^d1967 | Schumann, Robert <1810-1856> | *Symphony Opus 38 | 1967 | NO | colloc | |
W02296184 | 102 | ST | ^aAnn Arbor^cUMI Research Press^dc1983 | Tomasello, Andrew | *Music and ritual at Papal Avignon, 1309-1403 | 1983 | NO | colloc | |
W02329284 | 102 | ST | ^aDetroit^cInformation Coordinators^d1972 | Krummel, Donald | *Bibliotheca Bolduaniana | 1972 | NO | colloc | |
W02333590 | 102 | ST | ^aBerkeley^aLos Angeles^cUniversity of California Press^dc1981 | Kerman, Joseph | The *masses and motets of William Byrd | 1981 | NO | colloc | |
W02348490 | 102 | ST | ^aMichigan^cU.M.I. Research Press^dc1983 | McQuere, Gordon | *Russian theoretical thought in music | 1983 | NO | colloc | |
W02373 | 102 | ST | ^aRidgewoode (N.J.)^cThe Gregg Press^d1966 | Gautier, Leon | *Histoire de la poésie liturgique au Moyen âge | 1966 | NO | colloc | |
W04007790 | 102 | ST | ^aChapell Hill^cUniversity of North Carolina Library, Photographic Services Section^d1949? | Gates, Willis | *The works of Arcangelo Corelli | 1949 | NO | colloc | |
W06002184 | 200 | ST | ^aAnn Arbor^cUMI^d1966 | Wing, Henry | The *polychoral motets of Leone Leoni | 1966 | NO | colloc | |
W082549 | 102 | ST | ^aNorthampton^cSmith College^dc1972 | Savioni, Mario | *Thirteen motets for solo voice | 1972 | NO | colloc |